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« Africa

Afrobeat

Joé Dwèt Filé Set The Olympia On Fire
Concert review Africa/konpa

Joé Dwèt Filé Set The Olympia On Fire

By Sandra Gasana
Sahad, The New King of Afrobeat
Concert review Africa

Sahad, The New King of Afrobeat

By Sandra Gasana
Nuits d’Afrique 2024 | A Chat With Ibibio Sound Machine Frontwoman Eno Williams
Interview Africa/Jazz

Nuits d’Afrique 2024 | A Chat With Ibibio Sound Machine Frontwoman Eno Williams

By Alain Brunet
PAN M 360 at Nuits d’Afrique – Afrovibes Opens the Ball
Concert review Africa/Sacred Music

PAN M 360 at Nuits d’Afrique – Afrovibes Opens the Ball

By Michel Labrecque
PAN M 360 at FIJM 2024 | Salin implant her Afro-Isan-soul on festival-goers
Concert review Africa/thaï

PAN M 360 at FIJM 2024 | Salin implant her Afro-Isan-soul on festival-goers

By Alain Brunet
Little Simz – Drop 7
Album review Africa/Electronic/Hip Hop 2024

Little Simz – Drop 7

By Théo Reinhardt
Papagroove – Y’annonce beau!
Album review Africa/Soul/R&B/Jazz 2023

Papagroove – Y’annonce beau!

By Frédéric Cardin
Adekunle Gold: Bringing Afrobeat To the Next Level, One Glass of Tequila At A Time
Interview Africa

Adekunle Gold: Bringing Afrobeat To the Next Level, One Glass of Tequila At A Time

By Jacob Langlois-Pelletier
Nuits d’Afrique: Valérie Ekoumé and French-Cameroonian Afro-Pop From A Family Buisness
Interview Africa

Nuits d’Afrique: Valérie Ekoumé and French-Cameroonian Afro-Pop From A Family Buisness

By Alain Brunet
Super Yamba Band at Festival International Nuits d’Afrique 23′
Interview Africa

Super Yamba Band at Festival International Nuits d’Afrique 23′

By Varun Swarup
Kimi Djabaté – Dindin
Album review Africa/Traditional 2023

Kimi Djabaté – Dindin

By Frédéric Cardin
Minyeshu – Netsa
Album review Africa 2022

Minyeshu – Netsa

By Frédéric Cardin
Sampa the Great – As Above, So Below
Album review Africa 2022

Sampa the Great – As Above, So Below

By Alain Brunet
Osheaga 2022: The Good, The Bad, and The Gleaming
Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary

Osheaga 2022: The Good, The Bad, and The Gleaming

By Stephan Boissonneault
Manou Gallo: clarity, freedom and femininity, all to the bass guitar’s advantage
Interview Africa

Manou Gallo: clarity, freedom and femininity, all to the bass guitar’s advantage

By Frédéric Cardin
The first night of Nuits d’Afrique goes off with a bang
Column Africa/Caribbean/Electronic/Maloya/Traditional

The first night of Nuits d’Afrique goes off with a bang

By Stephan Boissonneault
Black Flower – Magma
Album review Africa/Jazz/Soul/R&B 2022

Black Flower – Magma

By Rupert Bottenberg
Obi Bora: Across the desert and…
Interview Africa/Electronic/Hip Hop

Obi Bora: Across the desert and…

By Stephan Boissonneault
Fela Soul is Ten Year Old
Interview Africa/Hip Hop

Fela Soul is Ten Year Old

By Rupert Bottenberg
Little Simz – Sometimes I Might Be Introvert
Album review Africa/Hip Hop/Soul/R&B 2021

Little Simz – Sometimes I Might Be Introvert

By Alain Brunet
Emma-Jean Thackray – Yellow
Album review Africa/Jazz/Electronic/Soul/R&B 2021

Emma-Jean Thackray – Yellow

By Elsa Fortant
Fondue Party
Album review Africa/Electronic/Soul/R&B/Reggae/Jazz 2020

Fondue Party

By Rupert Bottenberg
Pierre Kwenders and Clément Bazin: intercontinental, with class
Interview Africa/Electronic/Pop

Pierre Kwenders and Clément Bazin: intercontinental, with class

By Alain Brunet
Long in the Tooth
Album review Africa/Jazz/Soul/R&B/Rock 2020

Long in the Tooth

By Rupert Bottenberg
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