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Faculté de Musique de l’UdeM : L’OUM et la puissante Symphonie no 6 de Tchaïkovski à la salle Claude-Champagne

Fri 09 Apr 2027 • 07:30 pm classique / période romantique
Salle Claude-Champagne - Montréal 20$ ou 35$
· by Rédaction PAN M 360

Anna Clyde évoque les forces mouvantes de la mer dans Restless Ocean tandis qu’Elgar fait chanter le violoncelle avec une puissante intensité expressive dans son Concerto. Cette œuvre empreinte de gravité et d’une certaine mélancolie prendra toute son ampleur sous l’archet de Michael Fowler, lauréat du Concours de concerto 2026. Quant à Tchaïkovski, il exprime ses craintes et ses tourments à travers la musique poignante de sa Symphonie « Pathétique ».

Anna Clyde evokes the shifting forces of the sea in Restless Ocean, while Elgar makes the cello sing with powerful expressive intensity in his Concerto. This work, imbued with gravity and a certain melancholy, will come into its own under the bow of Michael Fowler, winner of the 2026 Concerto Competition. As for Tchaikovsky, he expresses his fears and torments through the poignant music of his “Pathétique” Symphony.

Programme

Anna Clyne
Restless Oceans
Edward Elgar
Concerto pour violoncelle en mi mineur, op. 85
I. Adagio – Moderato
II. Lento – Allegro molto
III. Adagio
IV. Allegro – Moderato – Allegro, ma non troppo
Soliste : Michael Fowler, 1er prix du concours de concertos 2026
Piotr Ilitch Tchaïkovski
Symphonie no 6 en si mineur, op. 74 « Pathétique »
I. Adagio – Allegro non troppo
II. Allegro con grazia
III. Allegro molto vivace
IV. Finale : Adagio lamentoso – Andante

Program

Anna Clyne
Restless Oceans
Edward Elgar
Cello Concerto in E minor, Op. 85
I. Adagio – Moderato
II. Lento – Allegro molto
III. Adagio
IV. Allegro – Moderato – Allegro, ma non troppo
Soloist: Michael Fowler, First Prize Winner of the 2026 Concerto Competition
Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B minor, Op. 74 “Pathétique”
I. Adagio – Allegro non troppo
II. Allegro con grazia
III. Allegro molto vivace
IV. Finale: Adagio lamentoso – Andante

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Ce contenu provient de la Faculté de Musique de l’UdeM et est adapté par PAN M 360

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