This superb ultralight glider is piloted by Montrealers Odile Myrtil, Victor Bongiovanni and Ourielle Auvé (alias Ouri), following very favourable winds. With the assistance of renowned electro producer and composer CRi, the trio has charted an almost perfect flight plan, with nine pieces of ethereal wave, experimental dream pop and trip hop, in line with the best British projects (This Mortal Coil and other albums from the 4AD label) dating back to the 1980s. The digital art mastered by these highly inspired artists (in addition to vocals and guitars) excludes any passivity in its construction, all the more seductive to fans of ethereal frequencies.
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Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
Par Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
Par Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Par Louise Jaunet
Critique de concert Folk/Americana
Noah Kahan: An Emotive Performance with Goofy Banter
Par Serena Yang
Critique de concert
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
Par Elena Mandolini
Interview classique/Jazz/Classical