This excellent quartet from Hull/Gatineau tosses seemingly disparate ingredients into its cauldron: French poetry, English poetry, hardcore corrosion, breakbeats, electro, free jazz, noise, guitar, synth-drums, machines, bass, saxophone, voice. The absurdity of our lives is expressed in this shaggy, explosive, derisory, cynical, caustic, curdling, critical, multi-referential, highly creative, brutal and refined language. Noisy chaos, free improvisation, punk attitude and rock-in-opposition miraculously coexist within a conceptual approach perfectly adapted to the digital age.
Latest 360 Content
Interview expérimental / contemporain/Experimental / Contemporary/Jazz/Soul/R&B/Psychedelia
FIRE! Orchestra at FIMAV: Power Trio Meets Canadian Community of Avant-Garde Players
By Alain Brunet
Album review Hip Hop 2025
Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.
By Stephan Boissonneault
Album review Classical/classique 2025
Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens
By Réjean Beaucage
Album review musique de film 2025
Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology
By Frédéric Cardin
Album review Classical/classique 2025
Quatuor Diotima – Boulez : Livre pour quatuor
By Frédéric Cardin
Album review expérimental / contemporain/Experimental / Contemporary/prog 2025
stef.in – Icterus II
By Frédéric Cardin
Album review Classical/classique 2025
Jack Van Zandt – A Chaos of Light and Motion
By Frédéric Cardin
Album review Electronic/Pop/dream pop 2025
Tommy Crane – Reality Curated: Live at Ursa
By Frédéric Cardin
Album review expérimental / contemporain 2025
No Hay Banda – Steven Kazuo Takasugi : Il Teatro Rosso
By Frédéric Cardin
Album review Classical/classique 2025
Vancouver Contemporary Orchestra; Vancouver Chamber Choir – Christopher Tyler Nickel : Mass; Te Deum
By Frédéric Cardin
