Country : United States Label : AUM Fidelity Genres and styles : Free Jazz Year : 2020

New World Order / Soledad

· by Rupert Bottenberg

There’s a first time for everything. In the case of venerable jazz bassist William Parker, it’s not a 10-disc mega-super-package being discussed here, though that’s on it’s way – Migration of Silence Into and Out of The Tone World is due with the arrival of 2021 (an advance selection from that project can be found here). Nor is it books (Parker has authored two already), nor a festival (he oversees, with his wife Patricia Nicholson Parker, the annual Vision Festival in New York City). In this case, after 50 years in music and twice as many albums (as a leader, or with the likes of Cecil Taylor, David S. Ware, or Peter Brötzmann), it’s a humble seven-inch single that Parker puts his imprint on.

The A side is an uplifting live interpretation, from 2001, of the title track of Curtis Mayfield’s final album from 1996. Captured at the Banlieues Bleues Festival in Paris, the recording is crude and cavernous, doing little justice to the players at hand. It offers something else quite potent, however. With an uptick in tempo and touch of reggae in the rhythm, as well as a local children’s choir 90 voices strong and of course Leena Conquest’s stirring lead vocals, Mayfield’s wearied call for better days ahead is invested with a little more hope, and feels a few steps closer to being realized. And as muddy as the recording is, one can’t miss the sweet resonance of the African balafon amid the instrumentation, a touch that adds further warmth to what was clearly a joyous communal moment.

The B side is taken from 2007’s Corn Meal Dance, Parker’s album with his Raining on the Moon band (with Hamid Drake on drums). Conquest sings a chronicle of struggle that rolls out steadily until the midway mark, when the pressure breaks and the band erupts, initially in exasperation, but soon enough coalescing into something of strength, certainty, and invention. Perseverance, it seems, is the point of both of these tracks. Neither one is an essential in Parker’s voluminous discography, but either can be a revitalizing listen at the right moment.

Latest 360 Content

Fireball Kid – Deer Path Turn To A Shortcut

Fireball Kid – Deer Path Turn To A Shortcut

Palomosa 2026: Femtanyl is Digital Chaos

Palomosa 2026: Femtanyl is Digital Chaos

Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast

Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast

FIMAV 2026 | Eric Chenaux Fades Out

FIMAV 2026 | Eric Chenaux Fades Out

FIMAV 2026 | أحمد [Ahmed] Raises the Debate

FIMAV 2026 | أحمد [Ahmed] Raises the Debate

FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues

FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues

FIMAV 2026 | Queen Mab, Renewal of Vows

FIMAV 2026 | Queen Mab, Renewal of Vows

FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined

FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined

FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction

FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction

FIMAV 2026 | Darius Jones Fluxkit Vancouver: Complete Bliss

FIMAV 2026 | Darius Jones Fluxkit Vancouver: Complete Bliss

FIMAV 2026 | Darius Jones: Exceptional Trio, Exceptional Concert

FIMAV 2026 | Darius Jones: Exceptional Trio, Exceptional Concert

FIMAV 2026 | Josh Zubot Strings: Maximum Relevance, Maximum Delight

FIMAV 2026 | Josh Zubot Strings: Maximum Relevance, Maximum Delight

Palomosa 2026: Doss Makes the People Come Together 

Palomosa 2026: Doss Makes the People Come Together 

Palomosa 2026: MGMT Gives Us Nothing New

Palomosa 2026: MGMT Gives Us Nothing New

FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante

FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante

Palomosa 2026: Hannah Diamond Brings The Pinkest DJ Set Ever

Palomosa 2026: Hannah Diamond Brings The Pinkest DJ Set Ever

Palomosa 2026: Bands, Blood Rituals, and the Art of Curating a Festival – Interview with Mathieu Constance

Palomosa 2026: Bands, Blood Rituals, and the Art of Curating a Festival – Interview with Mathieu Constance

FIMAV 2026 | “Voda” by Sarah Pagé, Sounds Inspired by Water Through Russian Mythology and Poetry

FIMAV 2026 | “Voda” by Sarah Pagé, Sounds Inspired by Water Through Russian Mythology and Poetry

Palomosa 2026: Sophia Stel – How To Win At Solitaire (Deluxe Edition)

Palomosa 2026: Sophia Stel – How To Win At Solitaire (Deluxe Edition)

Palomosa 2026: femtanyl – MAN BITES DOG

Palomosa 2026: femtanyl – MAN BITES DOG

Palomosa 2026: Dylan Brady – Needle Guy

Palomosa 2026: Dylan Brady – Needle Guy

Sam Davidson, Yujin Honda, Will Howie – Unrealistic Spaces

Sam Davidson, Yujin Honda, Will Howie – Unrealistic Spaces

Cheikh Ibra Fam: Afropop sunshine

Cheikh Ibra Fam: Afropop sunshine

Hot Garbage – SPUN

Hot Garbage – SPUN

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers