Feel like listening to a death metal album – like in the old days? If so, the 14th album from this band, formed in 1988, is for you. Despite a multitude of changes in its ranks and a split from 2003 to 2005, Sinister has remained true to the sound of the first wave of death metal. Aad Kloosterwaard, Sinister’s drummer from 1988 to 2003 before moving to the microphone in 2005, is the only original member of the band that turned heads with Cross the Styx in 1992. Like all the band’s previous albums, Deformation of the Holy Realm opens with an intro of great solemnity (here, “The Funeral March”), which carries over to the songs “Apostle of the Weak”, “Scourge by Demons”, “Oasis of Peace (Blood from the Chalice)” and “The Ominous Truth”. As for the rest, you get a wall of death metal strewn with solos and breakdowns that invite some furious headbanging. Try the title track, “Unique Death Experience” and “Suffering from Immortal Death” for proof.
Latest 360 Content
Concert review expérimental / contemporain
M/NM | La Grande Accélération, Ambitious and Maximalist
By Vitta Morales
Interview classique/Classical
The OBIORA Ensemble in March: Women, Diversity… SORORITY
By Alain Brunet
Interview Jazz/expérimental / contemporain/Classical/classique
Nik Bärtsch’s Ronin and the ideal fusion between futuristic jazz and post-minimalism
By Alain Brunet
Album review Classical/classique 2024
Ensemble ArtChoral, Matthias Maute : Art Choral vol. 2 : Baroque I
By Alexis Desrosiers-Michaud
Concert review Classical/classique
Violons du Roy, Celebrating Friendship at The Crossroads of Baroque and Classical Music
By Mona Boulay
Concert review Africa/Morna
Black History Month | Cape Verde Honored at Théâtre Maisonneuve
By Sandra Gasana
Interview Electronic/Caribbean/Reggae/Brazilian/Jazz/Soul/R&B
24H VINYLE de Music Is My Sanctuary, 1st Marathon of Its Kind, Back at SAT
By Alain Brunet
Interview classique/Classical
Jonathan Cohen and Les Violons du Roy: friendship in music and in life
By Alexandre Villemaire
Concert review expérimental / contemporain
M/NM | No Hay Banda : Red Dada Theatre
By Frédéric Cardin
Album review Electronic/Jazz/expérimental / contemporain/Musique de création 2025
Phillip Golub – LOOP 7
By Réjean Beaucage
Concert review expérimental / contemporain/Musique de création
M/NM | The Use of Audiovisuals as Creative Material—Welcome to Nicole Lizée
By Alain Brunet
Interview Africa/Mandingo Blues
Black History Month | Samba Touré Brings Us His Sahel Blues
By Sandra Gasana
Album review dream pop/Rock/Progressive Folk 2025
Jonathan Hultén – Eyes of the Living Night
By Alain Brunet
Concert review classique/Classical
OSM and Khachatryan | Music, Politics and The Human Condition
By Hélène Archambault
Concert review Jazz/expérimental / contemporain/Métal/Musique de création