Country : Label : Genres and styles : Year : 2023

TOP PROGRAMMERS: TOP 3 ALBUMS 2023 – Louis Dufort, Akousma

· by Rédaction PAN M 360

PAN M 360 asked its partners to provide a list of the top 3 albums of 2023. Several artistic directors graciously agreed!

Artistic director of the Akousma festival, Louis Dufort is a Montreal composer. His productions are numerous and multi-faceted: fixed media, mixed music with live processing, videomusic and installation. He has been commissioned by various musical ensembles and organizations: ACREQ, SMCQ, Réseaux, Chants libres, Codes d’Accès, ECM, Quasar Saxophone Quartet, Quatuor Bozzini, The Users, Musée Pointe-à-Callière, ZKM (Germany), SIXTRUM and CBC / Radio-Canada. He has been a regular contributor to COMPAGNIE MARIE CHOUINARD since 1996. Louis Dufort holds a doctorate in electroacoustic composition from the Université de Montréal, and teaches composition at the Conservatoire de musique de Montréal. He has been artistic director of AKOUSMA since 2010.

KMRU / Dissolution Grip / OFNOT (ambient / drone/ experimental)

“Cyclic and polyrhythmic stratifications, combined with microtonal layers that are sometimes fluid, sometimes tense, evoke a place, an inhabited moment, an energy, life. The electronic instrumentation is sublime, transparent, giving way to a beautiful musical sensitivity.”

Natasha Barrett / Reconfiguring the Landscape / Persistence of Sound (Soundscape / Acousmatic)

“A highly refined combination of two composable spaces, namely that of a sound imprint (Keynote, R.M. Shafer) and its musical reflection. These sound imprints come from Venice, Graz and Oslo (the city and the port); sounds of everyday life are subtly musicalized, reconfiguring real temporalities and spaces into poeticized sound frescoes.”

Gonima / Escapism / Satellite Era (IDM / hyperglitch / algorithmic)

“Generative microtemporal rhythmic games are applied to melancholic spectral layers, inscribing themselves in a dialogical relationship between figure and background. The agogic of the writing is dynamic, precise and crystalline, supported by a sensitive and technically impeccable sound realization.”

Latest 360 Content

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers