Twenty-one songs lie dormant on Cruel Country. Jeff Tweedy, who continues to survive his life, wrote and composed them all himself, as usual. And since they all are pretty well done, we can agree that Tweedy continues to hobble towards beatification and canonization; we hope these will happen in his lifetime: there he shall sit, in the company of Woody Guthrie, Lead Belly, and a few others. Because Jeff works quite hard. And he is so gifted, hyper-gifted even. It’s really amazing to listen to all the insight this man manages to transcribe from his external and internal perceptions. In “A Lifetime to Find,” for instance, he sings ” Oh Death, oh Death, I was just getting dressed – The place is a mess – I was hoping you’d forget – But I can feel you in my chest, I can feel you in my chest.” Or in “Hints,” he notes that ” There is no middle whеn the other side – Would rathеr kill than compromise.” Absorbing a plump opus like Cruel Country requires time and patience, as the album has little if no catchy tension, wild cavalcades, experimental curiosities, or other elements unique to Wilco albums since 1996’s Being There. This retro-folk and country bias translates into a soothing linearity. Nothing is dull, however, on Cruel Country. We know that Wilco is comprised of musicians who, in their niche, are above average. You can hear it in the harmonies, textures and nuances. Just listen to “Bird Without a Tail / Base of My Skull” for proof. To sum up, the release of Cruel Country (as well as any Wilco album) should delight any music geek with the slightest interest in Americana.
Latest 360 Content
Album review Classical/classique 2024
Orchestre du Centre national des Arts/Orchestre symphonique de Québec/Choeur Mendelssohn/Jean-Sébastien Vallée, dir. – Jacques Hétu : Symphonie no 5 op.81
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Alexandre David – Photogrammes
By Frédéric Cardin
Album review Classical/classique 2024
Matthieu Lussier/Amanda Keesmaat/Christophe Gauthier – Un basson sous l’Empire : la musique d’Étienne Ozi
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Musique de création
Le Vivier / Cordâme & Sixtrum Under Sylvia Plath’s Influence
By Alain Brunet
Concert review Electronic
Igloofest 2nd Night: Wild Card with Apashe, Marie Davidson, Dileta
By Loic Minty
Interview expérimental / contemporain/Musique de création
Montréal / Nouvelles Musiques : ¡Némangerie mâchée! Voice / Video Conversation
By Alain Brunet
Concert review
First Night of Igloofest 2025: Tali Rose and Michael Bibi’s Party
By Félicité Couëlle-Brunet
Concert review classique/Classical/orchestre/période moderne
OSM | Mahler, Payare and The OSM: Between Inner Turmoil, Light and Fatality, a Powerful Evening.
By Hélène Archambault
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! The Maestra Explains
By Alain Brunet
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! Michel Langevin Explains
By Alain Brunet
Interview Musiques du Monde
Intimate concerts to delve into music and emotions at the Centre des musiciens du monde
By Frédéric Cardin
Interview Africa/Hip Hop/latino
KingAlexBeats, From Laval to Miami, From Local Culture to Shakira and Pitbull
By Alain Brunet
Album review Classical/classique/expérimental / contemporain/Métal/Modern music 2024
Ensemble Tikoro – Hell Chamber
By Laurent Bellemare
Album review Rock/death metal progressif/Metal 2024