Country : Québec Canada Label : Indépendant Genres and styles : Contemporary Year : 2024

Vanessa Marcoux – Cendres

· by Frédéric Cardin

Vanessa Marcoux is a violinist who graduated from McGill and studied composition with Ana Sokolovic at the Université de Montréal. It’s an impressive background that gives her the rare ability to play her own compositions on the violin (something much more common among pianists). Cendres (ashes) is her second recording. If you’ve heard the first, entitled La jungle (The Jungle) and released in 2023, you’ll recognise Vanessa Marcoux’s neo-romantic/cinematic universe. That said, on Cendres and especially in the disc’s main piece, a substantial Sonata for violin, piano and strings, Marcoux sprinkles her soundscapes with modernist asperities and avant-garde techniques that spice up the recipe and give it enhanced depth. Although it remains very much immersed in the work’s moderno-consonant structure (the last movement is full of nods to Le Sacre!), the influence of Ana Sokolovic is clearly evident.

…over the years I’ve accumulated a lot of ideas for textures and soundscapes
unexplored. This sonata was therefore an opportunity for me to synthesise all this language in a single work, in which I pay tribute to my instrument and to all its expressive potential.
– Vanessa Marcoux

The Petite suite aquatique (aquatic little suite) is an impressive emotional release for violin and piano, full of evocative impulses. The first movement, Aquarium, is typically undulating, but navigates through turbulent eddies rather than following a tranquil river. In my imagination, Deep Blue Saloon is a spectacular and truculent projection of a bar frequented by the motley fauna of the deep sea, who have come to witness the burlesque stripping of a wanton octopus. By the end of the show, it looks as if the battle is going down to the wire between inebriated spectators. 

It ends with Cendres, the title piece, for string quintet. It’s a tempestuous, melancholy piece. It sounds like a mixture of post-minimalism and the greyness of Bernard Herrmann, Hitchcock’s composer. Very nice.

Vanessa Marcoux’s next concerts : 

  • February 18, 2024 Garden Room, KC Irving Environmental Science Centre, Wolfville (Wolfville, Nova Scotia)
  • 22 February 2024 De Coste Centre for Arts and Creativity, Pictou, Nova Scotia
  • March 19, 2024 Centre Culturel Henri-Lemieux, LaSalle, Qc
  • April 6, 2024 Saint-François-Xavier Church, Prévost, Qc

Latest 360 Content

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers