Country : Quebec Label : Independant Genres and styles : Contemporary Year : 2024

Vanessa Marcoux – Cendres

· by Frédéric Cardin

Vanessa Marcoux is a violinist who graduated from McGill and studied composition with Ana Sokolovic at the Université de Montréal. It’s an impressive background that gives her the rare ability to play her own compositions on the violin (something much more common among pianists). Cendres (ashes) is her second recording. If you’ve heard the first, entitled La jungle (The Jungle) and released in 2023, you’ll recognise Vanessa Marcoux’s neo-romantic/cinematic universe. That said, on Cendres and especially in the disc’s main piece, a substantial Sonata for violin, piano and strings, Marcoux sprinkles her soundscapes with modernist asperities and avant-garde techniques that spice up the recipe and give it enhanced depth. Although it remains very much immersed in the work’s moderno-consonant structure (the last movement is full of nods to Le Sacre!), the influence of Ana Sokolovic is clearly evident.

…over the years I’ve accumulated a lot of ideas for textures and soundscapes
unexplored. This sonata was therefore an opportunity for me to synthesise all this language in a single work, in which I pay tribute to my instrument and to all its expressive potential.
– Vanessa Marcoux

The Petite suite aquatique (aquatic little suite) is an impressive emotional release for violin and piano, full of evocative impulses. The first movement, Aquarium, is typically undulating, but navigates through turbulent eddies rather than following a tranquil river. In my imagination, Deep Blue Saloon is a spectacular and truculent projection of a bar frequented by the motley fauna of the deep sea, who have come to witness the burlesque stripping of a wanton octopus. By the end of the show, it looks as if the battle is going down to the wire between inebriated spectators. 

It ends with Cendres, the title piece, for string quintet. It’s a tempestuous, melancholy piece. It sounds like a mixture of post-minimalism and the greyness of Bernard Herrmann, Hitchcock’s composer. Very nice.

Vanessa Marcoux’s next concerts : 

  • February 18, 2024 Garden Room, KC Irving Environmental Science Centre, Wolfville (Wolfville, Nova Scotia)
  • 22 February 2024 De Coste Centre for Arts and Creativity, Pictou, Nova Scotia
  • March 19, 2024 Centre Culturel Henri-Lemieux, LaSalle, Qc
  • April 6, 2024 Saint-François-Xavier Church, Prévost, Qc

Latest 360 Content

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Sonny Rollins, le colosse dans une autre dimension

Sonny Rollins, le colosse dans une autre dimension

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Kleztory – Rendez-Vous

Kleztory – Rendez-Vous

Drucker – See Myself Out

Drucker – See Myself Out

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

The art of judging with Lucie Robert, president of the jury of the International Music Competition

The art of judging with Lucie Robert, president of the jury of the International Music Competition

TVOD – Rerun

TVOD – Rerun

Kneecap – FENIAN

Kneecap – FENIAN

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers