Five years separate [Evertrapped]’s most recent records, but the eclectic mix of styles that characterizes them hasn’t changed. To the melodic death metal that serves as the skeleton for the nine songs of The Last Extinction are added fragments of deathcore, thrash, speed and black that are expressed mostly through keyboards. The broad sweep may have been intended to reach more ears, but it also reduces the impact of The Last Extinction as a whole. Not because fans of abrasive music don’t like the mixing of genres, but because you don’t hear cohesion in their juxtaposition. The vocals of James Brooke and guitarist Fred Dupuis, which alternate between sung vocals and guttural grunts, contribute to the chaos created by the lack of a common thread on the Montreal quintet’s third album. Nevertheless, several melodies are worth a detour, notably at the end of “Sorrow (Nothing More In Between)”, as well as the solos of “The First Machine”, “The Last Extinction” and “Learning To Kill”.
Latest 360 Content
Album review Classical/classique 2025
Quatuor Bozzini – Owen Underhill : Songs and Quartets
By Frédéric Cardin
Album review Classical/classique 2025
English National Opera Orchestra/Martyn Brabbins – Havergal Brian : Agamemnon; Sinfonia tragica; Symphony no 12
By Frédéric Cardin
Album review Classical/classique 2025
The Curious Bards – Sublimation : Songs and dances from 18th-century Scandinavia
By Frédéric Cardin
Album review Classical/classique 2025
Ensemble Masques/Olivier Fortin – Bach, Telemann & Albinoni: Concerti
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop/Jazz 2025
Quinton Barnes – Black Noise
By Frédéric Cardin
Album review Classical/classique 2025
François Leleux/Lisa Batiashvili/Frankfurt Radio Symphony – Future Horizons
By Frédéric Cardin
Album review Jazz 2025
Nate Mercereau · Josh Johnson · Carlos Niño – Openness Trio
By Frédéric Cardin
Album review Classical/classique 2025
Kent Nagano/Rebekka Hartmann – Hartmann/Ravel/Sadikova
By Frédéric Cardin
Album review Classical/classique 2025
Frédéric Lambert; Chloé Dumoulin – Nouveau lyrisme
By Frédéric Cardin
Concert review Folk/Americana/latino
Sara Curruchich in concert : great songstress of mayan roots and feminist intensity
By Frédéric Cardin
Album review Classical/classique 2025
London Philharmonic Orchestra – Tania Leon : Horizons; Raices (Origins); Stride; Paisajes
By Frédéric Cardin
Album review Classical/classique/Électronique 2025
Andrew Staniland – The Laws of Nature
By Frédéric Cardin
Album review Classical/classique 2025
Cyrille Dubois, etc. – Geroges Bizet: Les Mélodies
By Frédéric Cardin
Concert review Indigenous peoples/Pacific / Oceania/Classical/classique
Presence autochtone 2025 | Whales Without Borders
By Frédéric Cardin
Interview expérimental / contemporain/Indigenous peoples/Pacific / Oceania
Présence autochtone | Maori, Aboriginal, and Inuit incantations for whales
By Alain Brunet
Concert review Electronic/Soul/R&B/mutant-disco/Pop