Following in the footsteps of many artists who have dropped surprise recordings in this period of pandemic, Philémon Cimon releases six songs under the title Philédouche. The countertenor folkie offers modern atmospheres for acoustic guitars, piano, and chamber orchestra including violin, bassoon, and double bass. Mother, sister, ex-girlfriend and other characters staged in an intimate environment constitute the fragments of stories in which the vibe is not particularly up-with-life. He thanks his mom, mourns the end of a finite world, badmouths the douchebag that seduced his princess, urges his sister to flee an apparently toxic environment, symbolically removes a corpse from his own body, and occasionally self-flagellates. Nicolas Basque (guitars), Adèle Trottier (vocals and piano) and Josianne Boivin (vocals and synthesizer) were Philémon’s main sidekicks for this short-format work. Pomme shares a duet entitled “La violence” with Philémon, and other musicians were invited to perform the arrangements. Generally soft and peaceful, the music on the program contrasts with the darkness and greyness of some of the author’s lyrics. This tension faithfully expresses his hypersensitivity and lucidity in a context of profound uncertainty about the present time.
Latest 360 Content
Interview classique/Classical
Festival de Lanaudière | Franco Fagioli and the voice of bel canto
By Alexandre Villemaire
Concert review Africa/Electronic/latino
Nuits d’Afrique | El Gato Negro, A Feline Like No Other
By Sandra Gasana
Concert review Gnawa
Nights of Africa 2025 | A gnawa fusion reactor named Saïd Mesnaoui
By Frédéric Cardin
Concert review Africa
Nuits d’Afrique 2025 | Sousou and Maher Cissoko: benevolence and complicity
By Frédéric Cardin
Concert review Classical/classique
Festival de Lanaudière | A Successful Choral Evening for Akamus
By Alexis Desrosiers-Michaud
Interview classique/Classical
Festival d’art vocal de Montréal | Training the Next Generation of Lyric Artists, From Voice to Stage Direction
By Alexandre Villemaire
Concert review Africa/Mandingo Blues/Soul/R&B
Nuits d’Afrique | Tyrane Mondeny: The Rising Star Has Reached Her Destination
By Sandra Gasana
Interview Hip Hop/Jazz/Pop
Nuits d’Afrique | El Gato Negro, The Sound of Subtropical Pop
By Keithy Antoine
Concert review Brazilian
Nuits d’Afrique | Mateus Vidal & Axé Experience, “Uma Festa” in The Rain
By Michel Labrecque
Concert review Africa/conte/Hip Hop/percussions
Nuits d’Afrique | Les mamans du Congo x Rrobin: A Successful Bet!
By Sandra Gasana
Concert review Gnawa/Psychedelia
Nuits d’Afrique: Bab L’ Bluz Summons The Desert
By Stephan Boissonneault
Interview Gnawa
Nuits d’Afrique 2025 | Saïd Mesnaoui: Gnawa Fusion at the Heart of a Radiant Artist
By Frédéric Cardin
Interview Classical/classique/Sacred Music
Festival de Lanaudière | Paulus & Elias: Mendelssohn’s oratorios presented by Akamus
By Alexandre Villemaire
Interview Africa
Nuits d’Afrique 2025 | Sousou and Maher Cissoko: love, through the kora and by the kora
By Frédéric Cardin
Concert review Africa/afro-pop
Festival Nuits d’Afrique 2025 | Sahad: The star of Dakar Shines on Balattou
By Frédéric Cardin
Interview Africa/Soul/R&B/Jazz