A mystical and spiritual work, the dozen Penitential Psalms for mixed a cappella choir were created in 1988. They are beautifully performed here by the choristers of the RIAS Berlin Chamber Choir, conducted by Hans-Christoph Rademann. It’s evident that he multifaceted composer Schnittke, who grew up in Orthodox Russia, the son of a Catholic mother and a German-speaking Jewish father, cared little for cultural barriers, styles and genres. This masterpiece, free of any mannerism, is both dense and mysterious. Pure music!
Latest 360 Content
Concert review Jazz
FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs
By Frédéric Cardin
Interview Jazz/Moyen-Orient / Levant / Maghreb
FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!
By Alain Brunet
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
By Alain Brunet
Concert review Jazz
FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup
Interview Jazz
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
By Frédéric Cardin
Concert review Caribbean/Soul/R&B
FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest
By Vitta Morales
Concert review Hip Hop
FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master
By Stephan Boissonneault
Interview Jazz
FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant
By Harry Skinner
Interview Classical/classique
Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night
By Frédéric Cardin
