Country : France / Québec Label : ATMA Classique Genres and styles : Classical / Jazz Year : 2024

Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio

· by Frédéric Cardin

Claude Bolling’s Suite for flute and jazz piano trio is a pure product of its time, the 1970s, when various attempts were made to bring together two musical worlds that seemed antinomic at the time: classical and jazz. Remember, this was also the heyday of Jacques Loussier and the Swingle Singers. Because of this (or in spite of it?), the boundaries between the two have become increasingly blurred, much to our delight as music lovers. The stylistic distance between our ECM or ACT records-style modernity and that of the charming pieces by Claude Bolling (a great classical and jazz musician, but also a pop and film musician) seems immense, of course, thanks to our ears more accustomed to more complex integration of the genres. Nonetheless, there is something irresistibly fresh and honest about the French composer’s approach, which has never sought to do what Gunther Schuller was trying to achieve in the United States with his Third Stream, a resolutely more cerebral approach that has remained marginal (though historically fascinating).

Read my colleague Varun Swarup’s interview (in French) with Nadia Labrie, who talks about Claude Bolling and his music.

For Bolling, there’s no atonality, no stridency, no deconstructed rhythms. Rather, a kind of classicism in both the written part (the flute, which constantly flutters around baroque and classical forms) and the improvised part (piano, double bass and drums), whose style is stuck exclusively to cool and swing, never to free, which was just starting out at the time and which seemed to have more in common with contemporary avant-garde music.

Nadia Labrie moves through the suite’s seven movements with ease, despite the fact that these are scores with which she was unfamiliar before embarking on this project. She has surrounded herself with top-notch instrumentalists, well-versed in jazz, of course, but also very sensitive to the finer points of classical music, which is important. Hats off to Bernard Riche on drums, Dominic Girard on double bass and Jonathan Turgeon on piano. 

This album is the first in a series of three, as the flutist wishes to record Bolling’s complete scores for flute and jazz ensemble. The other two (Suite No. 2 and Picnic Suite) will be released in 2025.

Latest 360 Content

FIJM 2026 I Patrick Watson Dazzles Place Des Arts

FIJM 2026 I Patrick Watson Dazzles Place Des Arts

FIJM 2026 | Solarium: full light on some exciting Keb Jazz

FIJM 2026 | Solarium: full light on some exciting Keb Jazz

FIJM 2026 | McBride / Lage, what a way to end the FIJM !

FIJM 2026 | McBride / Lage, what a way to end the FIJM !

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop

FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop

FIJM 2026 | Domi & JD Beck: vibe, energy, musicianship

FIJM 2026 | Domi & JD Beck: vibe, energy, musicianship

FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz

FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz

FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs

FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs

FIJM 2026 | A Kind of Blue moment

FIJM 2026 | A Kind of Blue moment

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers