This collection of works by Australian composer Liza Lim takes the title of the longest (40 minutes) and most recent (2018), a work commissioned by the Witten Festival of Contemporary Chamber Music (Wittener Tage für neue Kammermusik), for the ensemble Klangforum Wien, which performs it here under the direction of Peter Rundel. Lim was inspired by the vision of the five “plastic continents” floating on the oceans and by different forms of “disappearance”, such as the Kauai Moho bird, which sang its last notes in 1987. Using an extensive variety of playing techniques, the musicians of Klangforum create an eerie sonic forest, extremely organic and, ironically, full of life, right up to the final movement, the dawn chorus, which slowly decays. Music to be listened to with a certain gravity in these times… The violinist Sophie Schafleitner is dazzling, as is her colleague Lorelei Dowling on Axis Mundi (2013), for solo bassoon. The album closes with Songs Found In Dream (2005), instrumental songs inspired by the special relationship to reality that is so particular to Aboriginal cultures.
Latest 360 Content
Interview Jazz
Life is a fragrance: conclusion of the Trilogy of Scents by Jacques Kuba Seguin
By Frédéric Cardin
Interview Jazz
L’Entracte Cabaret Jazz: A brand new 100% Jazz Club opens its doors in Montreal
By Frédéric Cardin
Album review classic rock/Americana/Rock 2026
Paul McCartney – The Boys of Dungeon Lane
By Stephan Boissonneault
Concert review Classical/classique
Caprice & Art Choral | Three Eras Overlap and Culminate in the Magnificat
By Alain Brunet
Album review Classical/classique/latino 2026
Juan Sebastian Delgado – Tangos imaginarios
By Frédéric Cardin
Interview Classical/classique
Montreal Chamber Music Festival 2026 | All Bach’s Sonatas and Partitas at lunchtime with Sirena Huang
By Frédéric Cardin
Interview Eastern European
Classica 2026 | Jorane & Oktopus, “Rêvances sans paroles”… and the words of Gabriel Paquin Buki
By Ariel Rutherford
Interview Classical/classique
Classica 2026 | The Sublime Length of Schubert’s Piano Trios
By Frédéric Cardin
Interview Classical/classique/Jazz
Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!
By Alain Brunet
Concert review classique/Classical
CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!
By Julie Thériault
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon























