Zen Bamboo shift into higher gear with GLU, a debut album produced by Julien Mineau – whose work with Malajube has been on hold for a stretch. We’re in pop-electro-rock-trip-hop-prog-indie terrain that couldn’t be more abundant here, virtually immersed in a space filled to the brim with guitars, keyboards, analog synthesizers, bass and drums. A superficial listen suggests an extension of the grand era of Malajube, the famous band with whom Zen Bamboo certainly share the values of exaltation and paroxysm. A superficial listen would also indicate an outburst of indie rock and post-grunge nostalgia for the ’90s and 2000s, and thus for a rock spirit that’s evident despite the multitude of references on the table here. Thirty- and forty-year-olds will find themselves at ease in this universe of twenty-somethings. And what about them? Millennial adults may very well hear an echo of their generation. What’s more, we’re told that this is “fresh and manic poetry”, and that it underlines “the impulsive viscosity of the guts” of the lyricist, no less. In fact, the texts are rather delirious, slathered on in the manner of young writers who have a lot to pour out, marbled with real good literary flashes despite the clutter. The themes addressed are in turn absurd, vulgar, anxious, provocative, violent, bloody, tearful, oozing, jubilant, overexcited. This “stormy album” will most likely remain confined to a franco Keb audience because of the local language used here, but… expect some startling sprouts in own our garden.
Latest 360 Content
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
By Frédéric Cardin
Album review Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
By Stephan Boissonneault
Album review Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
By Alain Brunet
Album review classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
By Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz