Born and raised in Fukuoka Prefecture, schooled in California, USA (her mom’s homeland), now based in Amsterdam, Golin is Lin Suemitsu, a Japanese-American producer and singer, as well as dancer and choreographer. The latter two disciplines seem to inform the first two, as she delivers her distorted and idiosyncratic version of the exquisitely frivolous modern pop of her father’s country of origin. Familiar structures fall away, or even apart, as she applies a contemporary dancer’s sense of sensuality, intuition, and unpredictability to these slippery, mercurial confections. Her vocals are of particular interest… singing in both English and Japanese, she feeds her voice through Auto-Tune to emulate the uncanny artificiality of the Vocaloid app, the essential ingredient of the amateur hobby pop churned out by legions of young male urban hermits in Japan. Between these factors and a visual presence informed by anime – the warped, almost post-human physicality of it, not the silly cosplay – Golin’s ersatz J-pop is celebratory and subversive at the same time.
Latest 360 Content
Interview Indigenous peoples
Présence autochtone 2026 | We talk about the Programming with the Director
By Frédéric Cardin
Interview
Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions
By Jeremy Fortin
Interview Classical/classique/Electronic
Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment
By Chloé Rouffignac
Interview classique/Classical
Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”
By Chloé Rouffignac
Interview classique/Classical
Lanaudière 2026 | Saskia Giorgini : The Italian Piano
By Pietro Freiburger
Interview classique/Classical
Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It
By Alexandre Villemaire
Interview classique
Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve
By Frédéric Cardin
Concert review latino
Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance
By Juliana Cortes
Album review Electronic/expérimental / contemporain/Rock 2026
Xiu Xiu – Eraserhead
By Stephan Boissonneault
Concert review Brazilian/Indigenous peoples
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
By Juliana Cortes
Album review expérimental / contemporain/musique de film 2026
Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain 2026
Chanel Beads – Your Day Will Come
By Stephan Boissonneault
Concert review classique/Classical
Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich
By Frédéric Cardin
Concert review Caribbean/Jazz/Reggae
Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour
By Frédéric Cardin
Concert review Africa/Jazz/cirque























