Born and raised in Fukuoka Prefecture, schooled in California, USA (her mom’s homeland), now based in Amsterdam, Golin is Lin Suemitsu, a Japanese-American producer and singer, as well as dancer and choreographer. The latter two disciplines seem to inform the first two, as she delivers her distorted and idiosyncratic version of the exquisitely frivolous modern pop of her father’s country of origin. Familiar structures fall away, or even apart, as she applies a contemporary dancer’s sense of sensuality, intuition, and unpredictability to these slippery, mercurial confections. Her vocals are of particular interest… singing in both English and Japanese, she feeds her voice through Auto-Tune to emulate the uncanny artificiality of the Vocaloid app, the essential ingredient of the amateur hobby pop churned out by legions of young male urban hermits in Japan. Between these factors and a visual presence informed by anime – the warped, almost post-human physicality of it, not the silly cosplay – Golin’s ersatz J-pop is celebratory and subversive at the same time.
Latest 360 Content
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb
Abdel Grooz Brings Mozaïk to A Spectacular Close
By Sandra Gasana
Album review Pop/Rock 2026
Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983
By Stephan Boissonneault
Interview chanson française
Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”
By Alain Brunet
Interview classique/concours/violon
The art of judging with Lucie Robert, president of the jury of the International Music Competition
By Alexandre Villemaire
Interview Electronic
SAT | “Futurs Antérieurs”, 3 Decades of Expertise Focused on The Future
By Alain Brunet
Interview























