While Clémence DesRochers’ famous song “La vie d’factrie” has just been inducted into the Canadian Songwriters Hall of Fame, Sophie Day invites us to (re)visit the artist’s poetic and committed repertoire with her tribute album Clémence. Born in 1933, DesRochers began her career as a singer-songwriter with Les Bozos in 1959 before writing Quebec’s very first jazz musical in 1964 (Le Vol Rose du Flamant) and the very first comedy show entirely directed by Quebec women in 1969 (Les Girls) in which she portrayed both the housewife and the free woman of the 1960s. A poet, author, singer, monologist, actress, visual artist, and animator, she has become a true icon of the Quiet Revolution and women’s emancipation in Quebec. She closed her long career with a final comedy show presented in 2017, accompanied by three jazz musicians on stage. On this album, Sophie Day picks up where Clémence left off with arrangements for contemporary chamber orchestra and jazz, inspired by Frank Sinatra’s The Wee Small Hours and Joni Mitchell’s Both Sides Now. Trained in jazz at McGill University, she proposes a re-reading with a rather romantic staging that is closer to her career in the musical Les Misérables and less reminiscent of the sober and authentic art of storytelling of Clémence. Although a certain rosewater atmosphere hovers throughout the entire album, Sophie Day is one of the first artists to convey the poet’s songs, veritable gardens of values and ideas from the Quiet Revolution, which deserve to be revisited at last.
Latest 360 Content
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz
Hawa B or not Hawa B ? “sadder but better” EP answers the question !
By Alain Brunet
Concert review classique/Classical/Africa
Abel Selaocoe: the wind that blows away
By Frédéric Cardin
Album review Rock 2024