The situation is dire. The reign of the President of the Republic of Lower Canada, Robert Nelson, is threatened by a mysterious figure named Capitaine Canada. A lame history lesson? No way, eh! A new immersion in the crazy post-rigodon universe of Alaclair Ensemble. This time, the versatile Maybe Watson, who confirmed his know-how on his solo album Enter the Dance, an ode to old-school rap from the ’90s released in 2019, teams up with beatmaking virtuoso Vlooper. The latter, who also changed his identity for this opus, achieves a tour de force by drawing directly from the Californian court of Madlib and his contemporaries. Combined with the protagonist’s constantly altered voice, these ingenious productions bring a fresh breeze of energy expected into the keb rap scene. The light tone and hilarious lines of Capitaine Canada elicit many smiles during the half-hour listening session. The guys from Alaclair confirm with each project, solo or collective, that they are unbeatable in their field of expertise: not taking themselves seriously in a professional way. On “Capitaine(s)”, Capitaine Canada features “the most irreverent MC in Quebec City”, a guy named Clakmerde, his flow and style suspiciously reminiscent of Eman, a veteran of keb rap and an Alaclair colleague. There’s even a historical first in the picturesque “Poussin Chat”, where Capitaine Canada invites none other than his alter-ego Maybe Watson to collaborate. This concept album is teeming with references and winks, without weighing down the final product. If Robert Nelson’s position may seem shaky in the Lower Canadian microcosm, that of Alaclair Ensemble is stronger than ever.
Latest 360 Content
Interview Classical/classique
Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying
By Frédéric Cardin
Interview
Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026
Liberté Anne & Frotae – Volume 2
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Spoken Word
FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa
By Alain Brunet
Concert review Classical/classique/Africa
Concert at the 9th Floor : the African essence of the chaconne
By Frédéric Cardin
Interview expérimental / contemporain
Flux 2026 | 2nd week according to Peter Burton
By Alain Brunet
Interview Jazz/expérimental / contemporain
QMP 2026 | Hugo Blouin, spoken words and played words
By Frédéric Cardin
Concert review Electronic
SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion.
By Julius Cesaratto
Interview Africa
VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi
By Frédéric Cardin
Interview Jazz
Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL
By Michel Rondeau
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Flux 2026 | Liberté-Anne presents Frotae vol. 2
By Frédéric Cardin
Interview Pop/Classical/classique/expérimental / contemporain/Experimental / Contemporary
Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo
By Frédéric Cardin
Interview classique
Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by
By Frédéric Cardin
Concert review Classical/classique
QMP 2026 | Épatants quatuors de George Lewis par Bozzini
By Frédéric Cardin
Interview Electronic
SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming
By Julius Cesaratto
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Rock
Flux 2026 | 1st week-end according to Peter Burton
By Alain Brunet
Interview classique/Classical






















