The situation is dire. The reign of the President of the Republic of Lower Canada, Robert Nelson, is threatened by a mysterious figure named Capitaine Canada. A lame history lesson? No way, eh! A new immersion in the crazy post-rigodon universe of Alaclair Ensemble. This time, the versatile Maybe Watson, who confirmed his know-how on his solo album Enter the Dance, an ode to old-school rap from the ’90s released in 2019, teams up with beatmaking virtuoso Vlooper. The latter, who also changed his identity for this opus, achieves a tour de force by drawing directly from the Californian court of Madlib and his contemporaries. Combined with the protagonist’s constantly altered voice, these ingenious productions bring a fresh breeze of energy expected into the keb rap scene. The light tone and hilarious lines of Capitaine Canada elicit many smiles during the half-hour listening session. The guys from Alaclair confirm with each project, solo or collective, that they are unbeatable in their field of expertise: not taking themselves seriously in a professional way. On “Capitaine(s)”, Capitaine Canada features “the most irreverent MC in Quebec City”, a guy named Clakmerde, his flow and style suspiciously reminiscent of Eman, a veteran of keb rap and an Alaclair colleague. There’s even a historical first in the picturesque “Poussin Chat”, where Capitaine Canada invites none other than his alter-ego Maybe Watson to collaborate. This concept album is teeming with references and winks, without weighing down the final product. If Robert Nelson’s position may seem shaky in the Lower Canadian microcosm, that of Alaclair Ensemble is stronger than ever.
Latest 360 Content
Concert review Classical/classique/Musiques du Monde
Festival Accès Asie – Flutes of the World, Unite!
By Frédéric Cardin
Album review musique de film 2026
Ludwig Göransson – The Mandalorian and Grogu – Original Motion Picture Soundtrack
By Frédéric Cardin
Interview A Cappella/Classical/classique
Classica 2026 | Let’s Start With a Choir, some Sea Songs and Sacred Anthems !
By Alain Brunet
Interview expérimental / contemporain/Pop/Multidisciplinaire
Elle Barbara | “A One Man Show”, Pop, Glamour and Avant-Garde Trans… Disciplinary
By Alain Brunet
Concert review Hip Hop
Palomosa 2026: Xaviersobased Makes No Sense and That’s the Point
By Loic Minty
Interview Jazz/expérimental / contemporain/Rock
Palais Montcalm | Bill Bruford has (also) always been a jazz drummer
By Alain Brunet
Concert review Electronic/Pop
Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast
By Z Neto Vinheiras
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | أحمد [Ahmed] Raises the Debate
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Queen Mab, Renewal of Vows
By Michel Rondeau
Concert review expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction
By Alain Brunet
Concert review Classical/classique/Jazz


















![FIMAV 2026 | أحمد [Ahmed] Raises the Debate](https://panm360.com/wp-content/uploads/2026/05/Ahmed-live-500x500.jpg)




