Country : Canada Label : Indépendant Genres and styles : Latin Jazz / Latin Pop / latino Year : 2024

Amanda Martinez – Recuerdo

· by Frédéric Cardin

Recuerdo is the fifth release from Toronto’s Amanda Martinez. It’s easy to recognize the melodic elegance for which the singer has been renowned since the start of her career. The arrangements, again, call on a variety of colors judiciously scattered throughout the scores, tinged with gentle melancholy. Trumpet, violin, piano, ukulele, guitar, accordion and even guest singers add a touch of Hebrew, Malagasy and Bamo to an ensemble sung mainly in Spanish. The production sometimes takes Amanda Martinez’s sound into more frankly Latin-pop zones, whereas previous albums essentially sailed in acoustic-folk waters. But these explorations are delicately conducted and not too intrusive, so that anyone who appreciates the Toronto singer’s style will enjoy Recuerdo just as much as her other albums, without losing their bearings. Soothing and very pleasant.

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers