At the beginning of 2019, the frontman of the Montreal group Suuns offered us a first album that testifies to his “fundamental research”, an exploratory framework that allows him to express himself in a perennial way. A Skeleton developed the idea of a being without sex or race, this time he focuses on the perception of light: its sources, its displacement in space, its diffraction and other optical phenomena, all lead Shemie to open himself to people’s possible perceptions of the same movement, the same scene, the same object… A Single Point of Light. This theme of light is expressed in more sensual, gracious sound forms, without neglecting the experimental, visceral, sometimes even violent character present in his solo work. The audio feedback effects generated by the playing of almost rudimentary instruments (MiniKorg, cheap synths) serve inspired vocal melodies and an economy of mostly meaningful words. The wordless passages of this opus reinforce the idea of an “electroacoustic song” of great textural richness, where all Ben Shemie’s qualities and qualifications culminate: composer, singer, lyricist, researcher, top-shelf artist. Brilliantly mixed by Radwan Ghazi Moumneh, this album that one would have thought limited to his laboratory takes unexpected flight, needless to say.
Latest 360 Content
Album review Rock/expérimental / contemporain/Instrumental/métal progressif 2024
Hybreed Chaos – Subliminal Abyssal Carnage
By Laurent Bellemare
Album review Experimental / Contemporary/expérimental / contemporain 2024
Senyawa – Vajranala
By Laurent Bellemare
Interview Indigenous peoples
International First Peoples’ Festival 2024: let’s chat about the programming
By Frédéric Cardin
Concert review Africa/latino/Americana
PAN M 360 at Nuits d’Afrique 2024 | Final Evening With a Congolese and Colombian Flavour
By Jacob Langlois-Pelletier
Concert review Africa/Caribbean/Reggae/Soul/R&B
PAN M 360 at Nuits d’Afrique | A Look Back at Rutshelle Guillaume’s Closing Triumph
By Rédaction PAN M 360
Album review Jazz 2024
Domas Žeromskas – Meditations on Providence and Perseverance, Vol.1
By Frédéric Cardin
Album review expérimental / contemporain/Jazz/Spoken Word 2024
Catharine Cary – AIR CAKE and other summery occupations
By Frédéric Cardin
Interview Classical/classique/trad québécois
Festival de Lanaudière 2024 | Tribute to Mémoire et Racines against a backdrop of trad/classical reunion
By Frédéric Cardin
Concert review Africa
PAN M 360 at Nuits d’Afrique – Les Aunties, from Ndjamena to Montreal
By Sandra Gasana
Concert review Africa/Hip Hop
PAN M 360 at Nuits d’Afrique – Fredy Massamba Was Blessed with Some Rain
By Sandra Gasana
Concert review Classical/classique
Festival de Lanaudière 2024 | OSM/Levanon : game saved in the second half
By Frédéric Cardin
Concert review Africa/Indian Ocean/Maghrebi
PAN M 360 at Nuits d’Afrique 2024 | Sofaz Grooves!
By Keithy Antoine
Concert review Africa/Caribbean
PAN M 360 at Nuits d’Afrique 2024 | Birth of a Haitian star
By Keithy Antoine
Concert review Africa/Sacred Music/Hip Hop/Reggae
PAN M 360 at Nuits d’Afrique 2024 | Joyce N’sana On The Rise
By Keithy Antoine
Concert review Africa/Caribbean