Free Improvisation
Interview expérimental / contemporain/Experimental / Contemporary/Jazz/Soul/R&B/Psychedelia
FIRE! Orchestra at FIMAV: Power Trio Meets Canadian Community of Avant-Garde Players
By Alain Brunet
Album review expérimental / contemporain/Experimental / Contemporary/prog 2025
stef.in – Icterus II
By Frédéric Cardin
Album review chanson keb franco/Jazz/Electronic/expérimental / contemporain/Americana/Experimental / Contemporary/Hip Hop/Rock 2025
Antoine Corriveau – Oiseau de nuit
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/Americana/Modern music 2024
Angell & Crane (Top Albums 2024)
By Frédéric Cardin
Interview expérimental / contemporain/Experimental / Contemporary
Ensemble SuperMusique Sets Out to Alarm Sound
By Alain Brunet
Concert review Classical/classique/Experimental / Contemporary/expérimental / contemporain/Americana
FLUX | Lori Goldston’s intense and intimate cello
By Frédéric Cardin
Interview expérimental / contemporain/Experimental / Contemporary/Jazz
L’OFF JAZZ 25th Anniversary | Michael Formanek featured in 3 concerts: ONJ , trio, duo
By Alain Brunet
Album review Folk/Americana/expérimental / contemporain/Experimental / Contemporary/Classical/classique 2024
EZRA – Earth to EZRA
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Experimental / Contemporary/Pop/Classical/classique
Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT
By Alain Brunet
Concert review expérimental / contemporain/Rock/Jazz/Experimental / Contemporary
Montreal Anti Jazz Police Festival – Day 3
By Frédéric Cardin
Interview expérimental / contemporain/Experimental / Contemporary
Matana Roberts explores radically different musical settings
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/Rock/Psychedelia 2024
House Band – Aventurine
By Louise Jaunet
Album review Jazz/expérimental / contemporain/Experimental / Contemporary/Classical/classique 2023
Colin Stetson – When We Were That What Wept for the Sea
By Laurent Bellemare
Interview expérimental / contemporain/Experimental / Contemporary
Suoni: Andy Moor, solo, duo, an apology for guitar without effects
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
FIMAV: Zoh Amba, the signs of an avant-garde outbreak
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Fred Frith, among the iconic figures of FIMAV through 4 decades
By Alain Brunet
Album review expérimental / contemporain/Experimental / Contemporary 2023
brad allen williams – œconomy
By Varun Swarup
What to watch expérimental / contemporain/Experimental / Contemporary/Rock/Folk/Americana
Staraya Derevnya – Tangled Hands (feat. Galya Chikiss)
By Luc Marchessault
Album review expérimental / contemporain/Experimental / Contemporary/Sacred Music 2022
Medicine Singers – Medicine Singers
By Patrick Baillargeon
Interview Classical/classique/expérimental / contemporain/Experimental / Contemporary/Jazz
Mats Gustaffson next explosions
By Alain Brunet
Interview classique/Classical/Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV / Mary Halvorson on Amaryllis & Belladonna concert
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/Rock 2022
Yard Act – The Overload
By Alain Brunet
Interview Pop/Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
Bell Orchestre, in Symphony with the OSM
By Alain Brunet
Album review Rock/Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary 2021