• Album reviews
  • Concert reviews
  • Listing 360
  • Interviews
  • Audios
    • Playlists
    • Podcasts
  • Vidéos
    • What to watch
    • Sessions 360
  • Columns
  • Dossiers
FRANçAIS
  • facebook
  • Instagram
  • Youtube
  • Album reviews
  • Concert reviews
  • Listing 360
  • Interviews
  • Audios
    • Playlists
    • Podcasts
  • Vidéos
    • What to watch
    • Sessions 360
  • Columns
  • Dossiers
  • My Account
  • Déconnexion
  • What is PAN M 360 ?
  • Équipe
  • Contact
  • Partners
  • Privacy Statement
  • Cookie Policy
  • Team
  • What is PAN M 360 ?

expérimental / contemporain Avant-Garde / Experimental / Contemporary / musique actuelle / noise / Musique de création / Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop

Colin Stetson – Something Very Bad Is Going to Happen
Album review Electronic/Classical/classique/expérimental / contemporain/musique de film 2026

Colin Stetson – Something Very Bad Is Going to Happen

By Frédéric Cardin
5ilience at Quai 5160: A Bold and Contrasting Program
Concert review expérimental / contemporain

5ilience at Quai 5160: A Bold and Contrasting Program

By Jeremy Fortin
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
Interview expérimental / contemporain

Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”

By Alain Brunet
Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”
Interview expérimental / contemporain

Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”

By Alain Brunet
Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”
Interview expérimental / contemporain

Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”

By Alain Brunet
SMCQ | Classics and Creation, A Conversation Across Generations
Interview Classical/classique/expérimental / contemporain

SMCQ | Classics and Creation, A Conversation Across Generations

By Alain Brunet
Semaine du Neuf | When the collective becomes an entity
Concert review expérimental / contemporain/Experimental / Contemporary

Semaine du Neuf | When the collective becomes an entity

By Z Neto Vinheiras
(MTL X Monterrey) + (saxophones + dance) = The Breath of the Body
Concert review expérimental / contemporain/Multidisciplinaire

(MTL X Monterrey) + (saxophones + dance) = The Breath of the Body

By Jeremy Fortin
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
Concert review expérimental / contemporain/Experimental / Contemporary

Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music

By Alexandre Villemaire
5ilience | Devinim, When Sounds Move Through The Reeds
Interview expérimental / contemporain

5ilience | Devinim, When Sounds Move Through The Reeds

By Jeremy Fortin
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
Concert review expérimental / contemporain/Multidisciplinaire

Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds

By Jeremy Fortin
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain

Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules

By Frédéric Cardin
Semaine du Neuf | Sxelxéles te tl’etla’axel – Design for Inviting, the Power of Words… and of Sounds?
Concert review expérimental / contemporain/Indigenous peoples

Semaine du Neuf | Sxelxéles te tl’etla’axel – Design for Inviting, the Power of Words… and of Sounds?

By Michel Labrecque
Semaine du Neuf | Quatuor Bozzini: A Journey into the Extremes of Sound
Concert review classique/expérimental / contemporain/Classical

Semaine du Neuf | Quatuor Bozzini: A Journey into the Extremes of Sound

By Pietro Freiburger
Semaine du Neuf | Lovemusic et Protest of the Physical : the body (of musicians) has its reasons
Interview expérimental / contemporain/Multidisciplinaire

Semaine du Neuf | Lovemusic et Protest of the Physical : the body (of musicians) has its reasons

By Jeremy Fortin
Semaine du Neuf | Nous perçons les oreilles, improvisation at the center of bodies
Interview expérimental / contemporain/Experimental / Contemporary

Semaine du Neuf | Nous perçons les oreilles, improvisation at the center of bodies

By Loic Minty
Semaine du Neuf | Ictus: Ula Sickle on Gestures of Resistance
Interview expérimental / contemporain

Semaine du Neuf | Ictus: Ula Sickle on Gestures of Resistance

By Loic Minty
Nashpaints – Everyone Good is Called Molly
Album review Electronic/Pop/Experimental / Contemporary/expérimental / contemporain 2026

Nashpaints – Everyone Good is Called Molly

By Stephan Boissonneault
Semaine du Neuf |  Loneliness, hyperreality, connection, a harsh wake-up call
Concert review expérimental / contemporain/Multidisciplinaire

Semaine du Neuf | Loneliness, hyperreality, connection, a harsh wake-up call

By Alain Brunet
Semaine du Neuf | Five Visions of Movement Between Instruments and Electronics
Concert review expérimental / contemporain

Semaine du Neuf | Five Visions of Movement Between Instruments and Electronics

By Jeremy Fortin
Semaine du Neuf | Fragmentations and encounters of the Body in “Speak no words – Le silence des mots”
Concert review expérimental / contemporain

Semaine du Neuf | Fragmentations and encounters of the Body in “Speak no words – Le silence des mots”

By Laurent Pellerin
Semaine du Neuf | Bozzini, an evening where the Nine converge
Interview expérimental / contemporain

Semaine du Neuf | Bozzini, an evening where the Nine converge

By Loic Minty
Semaine du Neuf | In the half-light, Ensemble Éclat makes l’Espace Orange shine
Concert review expérimental / contemporain

Semaine du Neuf | In the half-light, Ensemble Éclat makes l’Espace Orange shine

By Jeremy Fortin
Semaine du Neuf | Hide to Show: A Metaphor for Our Behaviour in the Digital Age
Interview expérimental / contemporain/Multidisciplinaire

Semaine du Neuf | Hide to Show: A Metaphor for Our Behaviour in the Digital Age

By Alain Brunet
Subscribe to our newsletter
  • Privacy Statement
  • Cookie Policy
  • Team
  • What is PAN M 360 ?
  • facebook
  • Instagram
  • Twitter
  • Youtube
  • Linkedin
Gérez votre confidentialité
Nous utilisons des technologies telles que les cookies pour stocker et/ou accéder aux informations des appareils. Nous le faisons pour améliorer l’expérience de navigation et pour afficher des publicités (non-) personnalisées. Consentir à ces technologies nous permettra de traiter des données telles que le comportement de navigation ou les ID uniques sur ce site. Le fait de ne pas consentir ou de retirer son consentement peut avoir un effet négatif sur certaines fonctionnalités et fonctions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Gérer les options
{title} {title} {title}