expérimental / contemporain Avant-Garde / Experimental / Contemporary / musique actuelle / noise / Musique de création / Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
By Frédéric Cardin
Concert review expérimental / contemporain/Indigenous peoples
Semaine du Neuf | Sxelxéles te tl’etla’axel – Design for Inviting, the Power of Words… and of Sounds?
By Michel Labrecque
Concert review classique/expérimental / contemporain/Classical
Semaine du Neuf | Quatuor Bozzini: A Journey into the Extremes of Sound
By Pietro Freiburger
Interview expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic et Protest of the Physical : the body (of musicians) has its reasons
By Jeremy Fortin
Interview expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles, improvisation at the center of bodies
By Loic Minty
Interview expérimental / contemporain
Semaine du Neuf | Ictus: Ula Sickle on Gestures of Resistance
By Loic Minty
Album review Electronic/Pop/Experimental / Contemporary/expérimental / contemporain 2026
Nashpaints – Everyone Good is Called Molly
By Stephan Boissonneault
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Loneliness, hyperreality, connection, a harsh wake-up call
By Alain Brunet
Concert review expérimental / contemporain
Semaine du Neuf | Five Visions of Movement Between Instruments and Electronics
By Jeremy Fortin
Concert review expérimental / contemporain
Semaine du Neuf | Fragmentations and encounters of the Body in “Speak no words – Le silence des mots”
By Laurent Pellerin
Interview expérimental / contemporain
Semaine du Neuf | Bozzini, an evening where the Nine converge
By Loic Minty
Concert review expérimental / contemporain
Semaine du Neuf | In the half-light, Ensemble Éclat makes l’Espace Orange shine
By Jeremy Fortin
Interview expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Hide to Show: A Metaphor for Our Behaviour in the Digital Age
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Semaine du Neuf | Krystina Marcoux: Speak No Words and sound those gestures
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Semaine du Neuf | A Different Perspective on Music with Contrechamps and Architek Percussions
By Frédéric Cardin
Interview Electronic/expérimental / contemporain
SAT | Amselysen between political fiction and product culture
By Loic Minty
Interview Classical/classique/expérimental / contemporain/Indigenous peoples
Oktoecho, Phoebus, Gaïa | Voice of The North in Oka
By Alain Brunet
Interview Jazz/expérimental / contemporain
ONJ | Two Long Pieces From Jean Derome’s Considerable and Daring Body of Work
By Alain Brunet
Album review expérimental / contemporain/Experimental / Contemporary 2026
Karen Ng – Backwards Blue
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2026
Toninato & Thiessen – Dream of Heat
By Frédéric Cardin
Interview expérimental / contemporain























