Experimental / Contemporary Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop
Interview expérimental / contemporain
FLUX | The Tuning of the World According to Liew Niyomkarn
By Loic Minty
Interview Jazz/Experimental / Contemporary/expérimental / contemporain
FLUX | The Great Andrew Cyrille Solo: The Present, First and Foremost
By Alain Brunet
Concert review Electronic/Experimental/expérimental / contemporain/Rock
Pop Montreal 2025 I múm’s Hypnotic Mood and Underlying Silence
By Loic Minty
Album review expérimental / contemporain/Experimental / Contemporary 2025
Nick Dourado, James Goddard, Mustafa Rafiq, Jairus Sharif – We Want Rain SOON!!!
By Frédéric Cardin
Interview Brazilian/Jazz/expérimental / contemporain/Experimental / Contemporary
ONJ | RIP Hermeto Pascoal (1936-2025), Let Us Celebrate His Pure Genius
By Alain Brunet
Album review Jazz/Experimental / Contemporary/expérimental / contemporain 2025
Egyptian Cotton Arkestra – Time & Place
By Frédéric Cardin
Album review Rock/expérimental / contemporain 2025
Water From Your Eyes – It’s a Beautiful Place
By Stephan Boissonneault
Album review Jazz/expérimental / contemporain 2025
Ingebrigt Håker Flaten – Drops
By Stephan Boissonneault
Concert review Experimental/expérimental / contemporain/Rock
FME 2025: Krautrock by sunset
By Stephan Boissonneault
Interview Experimental/Rock/Experimental / Contemporary/expérimental / contemporain
FME 2025: You II Avec Nolan Potter—triple-headed noise jazz rock
By Stephan Boissonneault
Concert review Africa/Electronic/expérimental / contemporain
MUTEK | Slikback: Digital Frenzy in Black Africa
By Alain Brunet
Concert review Electronic/Experimental / Contemporary/expérimental / contemporain/Experimental/noise
MUTEK | Daniela Huerta, brujedos from the inside of the earth
By Sandra Gasana
Interview art visuel/Électro/expérimental / contemporain
MUTEK | Charline Dally: Harmonizing Music and Visuals
By Félicité Couëlle-Brunet
Concert review Experimental / Contemporary/expérimental / contemporain/Electronic
MUTEK | Shackleton-Belmannu-Zimpel: Elevation
By Alain Brunet
Concert review Electronic/expérimental / contemporain
MUTEK | Max Cooper, high-resolution introspection
By Félicité Couëlle-Brunet
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Électro/exposition
MUTEK | Deep listening mythologies with Daniela Huerta
By Z Neto Vinheiras
Interview Electronic/expérimental / contemporain
MUTEK | Myriam Boucher on her practice as a VJ
By Loic Minty
Album review Rock/Americana/expérimental / contemporain 2025
Ethel Cain – Willoughby Tucker, I’ll Always Love You
By Helena Palmer
Interview Electronic/Experimental/expérimental / contemporain/Ambient
MUTEK | On the starting line, Vincent Lemieux the 26th presentation in Montreal
By Alain Brunet
Interview expérimental / contemporain/Indigenous peoples/Indigenous Soul Music
Présence autochtone | Maori, Aboriginal, and Inuit incantations for whales
By Alain Brunet
Concert review Jazz/expérimental / contemporain
FIJM | Sun Ra Arkestra Still in the Physical World But…
By Vitta Morales
Album review Rock/expérimental / contemporain/Pop 2024
FIJM | Orchestre Tout Puissant Marcel Duchamp – Ventre Unique
By Stephan Boissonneault
Interview Jazz/Experimental / Contemporary/expérimental / contemporain
FIJM | Kojo Melché Roney, Born to Drum
By Alain Brunet
Concert review expérimental / contemporain/Soul/R&B/Hip Hop