EDM

Concert review Electronic

Igloofest 2026, Week 4 | Analog synthesizers and nostalgic EDM at -14°C

By Antoine Morin

Concert review Electronic/Rock

POP MTL: Slash Need: No stage, No Chairs, No Borders.

By Loic Minty

Album review dance/Electronic/Pop 2025

Frost Children – SISTER

By Jake Friesen

Album review Pop/Electronic 2024

Charli XCX – Brat (Top Albums 2024)

By Helena Palmer

Concert review Electronic

Palomosa | Gesaffelstein at the top of the festival

By Sami Rixhon

What to watch Electronic

SINthetik Messiah – Der Anfang

By Stephan Boissonneault

Album review Electronic/expérimental / contemporain 2023

PAN M 360 / TOP 100 : Raja Kirik – Phantasmagoria of Jathilan

By Laurent Bellemare

Interview Electronic

Turbine Revs Up the Scratch Music Scene: Breaking the Codes and Redefining the Game

By Elsa Fortant

Interview Electronic

M For Montreal: Balaklava Blues are on the Ukrainian Culture Frontline

By Stephan Boissonneault

Album review Jazz/Electronic 2022

The Comet Is Coming – Hyper-Dimensional Expansion Beam

By Steve Naud

Album review Soul/R&B/Electronic/Hip Hop/Pop/latino 2022

Beyoncé – Renaissance

By Alain Brunet

Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary

Osheaga 2022: The Good, The Bad, and The Gleaming

By Stephan Boissonneault

Album review Electronic/Pop 2021

Kyary Pamyu Pamyu – Candy Racer

By Rupert Bottenberg

Album review Electronic 2020

Both of Us / Are U Down EP

By Elsa Fortant

Album review Electronic/South-East Asian 2020

Best of YHV Vol. 1

By Rupert Bottenberg

Album review Electronic/Rock/Pop 2020

Notes on a Conditional Form

By Alain Brunet