Contemporary Creative Music
Album review Classical/classique 2023
National Symphony Orchestra / Gianandrea Noseda – George Walker : Five Sinfonias
By Frédéric Cardin
Interview Classical/classique
Striking the imagination: Nicole Lizée’s Percussion Concerto at the OSM
By Frédéric Cardin
Album review Classical/classique 2023
Iceland Symphony Orchestra, Daniel Bjarnason – Johann Johannsson : A Prayer to the Dynamo
By Frédéric Cardin
Album review Classical/classique 2023
Various artists – Per Nørgård : Symphony No. 8; Three Nocturnal Movements; Lysning
By Frédéric Cardin
Interview classique/Classical
Quatuor Molinari, First Programme of the Season: Shostakovich, Schafer and Jazz Flavours from Quinsin Nachoff
By Alain Brunet
Album review Classical/classique/Jazz 2023
Chloë Lum / Yannick Desranleau – The Garden of a Former House Turned Museum
By Frédéric Cardin
Album review Classical/classique/Jazz 2023
Brad Mehldau/Ian Bostridge – The Folly of Desire
By Frédéric Cardin
Interview classique/Classical
Festival de Lanaudière : The Human and Seductive Avant-Gardism of George Crumb
By Frédéric Cardin
Album review classique/Classical 2023
Jean-Philippe Sylvestre; Elvira Misbakhova; London Symphony Orchestra – Airat Ichmouratov : Piano Concerto; Viola Concerto no 1
By Frédéric Cardin
Interview Classical/classique
Michael Riesman and the Philip Glass Ensemble : maximum pleasure
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Nicole Lizée : Folk Noir and other Sci-Fi stories
By Frédéric Cardin
Album review Classical/classique 2023
Vincent Boilard et Quatuor Molinari – Lumières nordiques
By Elena Mandolini
Interview Classical/classique
Closing of Semaine du Neuf : Paramirabo plays Paramirabo and more
By Alain Brunet
Interview classique/Classical/période moderne
Quatuor Molinari: ACOUSTIC EXPLORATION FROM WEST TO EAST
By Alain Brunet
Album review expérimental / contemporain/Classical/classique 2022
Anna Prohaska/Isabelle Faust – Kurtag : Kafka Fragmente
By Frédéric Cardin