Classical Baroque / Choral Music / Classical Singing / Modern Classical / Contemporary / Electroacoustic / Minimalist / Early Music / Neoclassical / Opera / Contemporary Opera / Post-Minimalist / Romantic / Classical Period / Renaissance / Renaissance music / musique de chambre / post-romantique / musique contemporaine / période romantique / Chamber Music
Album review Jazz/Classical/classique 2022
Marc-André Hamelin – William Bolcom: The Complete Rags
By Frédéric Cardin
Album review Classical/classique 2022
Yarilo Contemporary Music Society – Nikolaï Korndorff: The Smile of Maud Lewis
By Frédéric Cardin
Interview classique
Adrianne Pieczonka, juror at the Concours musical international de Montréal
By Alain Brunet
Album review expérimental / contemporain/Classical/classique 2022
An Laurence – Almost Touching
By Frédéric Cardin
Album review Classical/classique/Electronic/Pop 2022
Florent Ghys – Mosaïques et Ritournelles
By Frédéric Cardin
Interview Classical/classique/expérimental / contemporain/Experimental / Contemporary/Jazz
Mats Gustaffson next explosions
By Alain Brunet
Interview classique/Classical/Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV / Mary Halvorson on Amaryllis & Belladonna concert
By Alain Brunet
Album review Classical/classique 2022
Jacob Reuven/Omer Meier Wellber – Vivaldi/Piazzolla : The Mandolin Seasons
By Frédéric Cardin
Album review classique/Classical 2022
Mikko Franck – Debussy : La damoiselle élue; Le martyre de Saint-Sébastien; Nocturnes
By Frédéric Cardin
Interview classique/Classical
Angela Park , Brian Manker, Sunday afternoon in Eastern Europe
By Alain Brunet
Interview classique/Folk/Americana
The Warhol Dervish String Quartet looks to honour Beethoven in a new, contemporary setting
By Stephan Boissonneault
Album review classique/Jazz/North East Asian 2022