Listings 360

Full listings 360
  • No results

FME : Nadah El Shazly et N Nao au QG Salle de spectacles

Sun 31 Aug 2025 • 05:00 pm Art Pop / Experimental / Contemporary / Synth-Pop
QG Salle de spectacles – 11 avenue Principale - Rouyn-Noranda Gratuit
· by Rédaction PAN M 360

N Nao (17h)

N NAO, nommée Naomie de Lorimier, est une artiste née et basée à Montréal. Elle explore la romance expérimentale par la musique, la performance et la vidéo depuis des millions d’années. Ses compositions s’inscrivent dans une démarche écoféministe, inspirée de rêves et de rituels. Son deuxième album L’eau et les rêves (24 mars 2023 via Mothland) repousse les limites de la chanson entre sonorités électroniques et organiques. En plus d’une reconnaissance du public et de l’industrie, il lui vaut une place sur la Longue Liste du Prix de musique Polaris 2023. En sus de collaborer avec entre autres Laurence-Anne, Klô Pelgag, Lou-Adriane Cassidy et Lumière, elle a assuré les premières parties de plusieurs artistes dont Sarah Pagé, Jessica Moss, Ariane Moffatt, Patrick Watson et Water From Your Eyes, et joué dans la dernière année notamment à Pop Montréal, Paris, Berlin, Sled Island à Calgary et SXSW au Texas. N NAO nous revenait l’hiver dernier avec Nouveau Langage, son troisième long jeu paru le 31 janvier 2025 via Mothland, deuxième à se retrouver sur Longue Liste du Prix de musique Polaris (2025).

N NAO, also known as Naomie de Lorimier, is a Montréal-born and based artist. For millions of years, she has explored experimental romance by way of music, performance and video. Her compositions employ an ecofeminist approach inspired by dreams and daily rituals. Her second full-length, L’eau et les rêves (March 24th, 2023 via Mothland) challenged traditional singer-songwriter music by aptly blurring the line between electronic and organic sounds. Celebrated by the public and the industry alike, the album made the Long List for the 2023 Polaris Music Prize. On top of stellar collaborations with Laurence-Anne, Klô Pelgag, Lou-Adriane Cassidy, and Lumière, she acted as main support for the likes of Sarah Pagé, Jessica Moss, Ariane Moffatt, Patrick Watson, and Water from Your Eyes. Over the past year, she took part in POP Montreal, Sled Island (Calgary, AB) as well as SXSW (Austin, TX), while also performing in Paris, FR and Berlin, DE. Last Winter, N NAO came back with Nouveau Langage, her third full-length released on January 31st, 2025 via Mothland, her second album to be long-listed for the Polaris Music Prize (2025).

Nadah El Shazly (18h)

Née et élevée au Caire, Nadah El Shazly a débuté sa carrière musicale dans un groupe punk avant de se tourner vers la composition électronique expérimentale. Son premier album Ahwar (2017) a été salué mondialement pour sa fusion novatrice entre traditions musicales arabes et sonorités contemporaines, propulsant El Shazly au premier plan de la scène musicale internationale. Elle figurait en couverture du magazine The Wire en 2018, à l’occasion d’un dossier consacré à la nouvelle vague musicale du Caire. Artiste de scène magnétique, elle combine voix envoûtante, manipulation sonore pointue et collaborations percutantes (Sam Shalabi, Elvin Brandhi, Maurice Louca). Elle s’est produite sur les scènes des festivals Irtijal, Le Guess Who?, Rewire, Roskilde, FIMAV, entre autres. Également compositrice de musiques de films, elle a signé la bande originale du film Les Damnés ne pleurent pas (2022), remportant deux prix internationaux. En 2024, elle a sorti Pollution Opera, un album abrasif en duo avec Elvin Brandhi. Son œuvre récente, Laini Tani, en collaboration avec 3Phaz, Patrick Graham et Sarah Pagé, illustre une maîtrise totale des textures sonores et une voix puissante, au cœur d’un univers musical dense, urbain et onirique. Nadah El Shazly incarne une figure audacieuse et singulière de la musique expérimentale mondiale.

Born and raised in Cairo, Nadah El Shazly began her musical path in a Misfits cover band before turning to experimental electronic composition. Her 2017 debut album Ahwar was met with international acclaim for its groundbreaking fusion of Arabic musical traditions and avant-garde production, earning her a leading place in global experimental music. In 2018, The Wire magazine featured her on its cover, highlighting “Cairo’s New Wave.” El Shazly’s performances are immersive experiences that merge her mesmerizing vocals with intricate sonic textures. She has collaborated with forward-thinking artists like Sam Shalabi, Elvin Brandhi, and Maurice Louca, and performed at renowned festivals including Irtijal, Le Guess Who?, Roskilde, FIMAV, and Rewire. As a composer for film, El Shazly’s soundtrack for The Damned Don’t Cry (2022) earned awards at the Bordeaux and Dublin film festivals. In 2024, she released Pollution Opera, a raw, genre-defying album with Elvin Brandhi exploring visceral electroacoustic soundscapes. Her latest project Laini Tani, co-produced with 3Phaz and featuring Patrick Graham and Sarah Pagé, is a sonic labyrinth where El Shazly’s commanding voice guides the listener through bold rhythmic structures and surreal textures. Nadah El Shazly continues to expand the possibilities of contemporary experimental music.

CE SPECTACLE EST GRATUIT!

Ce contenu provient du Festival de musique émergente et est adapté par PAN M 360

Latest 360 Content

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

George Lewis: Scores of Freedom

George Lewis: Scores of Freedom

SAT x Making Time | Massimiliano the Master

SAT x Making Time | Massimiliano the Master

Concert at the 9th Floor : the African essence of the chaconne

Concert at the 9th Floor : the African essence of the chaconne

Flux 2026 | 2nd week according to Peter Burton

Flux 2026 | 2nd week according to Peter Burton

QMP 2026 | Hugo Blouin, spoken words and played words

QMP 2026 | Hugo Blouin, spoken words and played words

SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion. 

SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion. 

VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi

VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi

Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL

Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL

Flux 2026 | Liberté-Anne presents Frotae vol. 2

Flux 2026 | Liberté-Anne presents Frotae vol. 2

Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo

Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo

Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by

Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by

QMP 2026 | Épatants quatuors de George Lewis par Bozzini

QMP 2026 | Épatants quatuors de George Lewis par Bozzini

SAT / Making Time | When Friendship Becomes a Happening

SAT / Making Time | When Friendship Becomes a Happening

SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming

SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming

Flux 2026 | 1st week-end according to Peter Burton

Flux 2026 | 1st week-end according to Peter Burton

Between Shostakovich and improvisation, Gabriela Montero speaks of freedom

Between Shostakovich and improvisation, Gabriela Montero speaks of freedom

QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes

QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes

MÁM from Teaċ Daṁsa: The Ireland of All Dreams

MÁM from Teaċ Daṁsa: The Ireland of All Dreams

Lemongrab – Another Kind of Freedom

Lemongrab – Another Kind of Freedom

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers