Latest 360 Content

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada
Interview Jazz

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

By Harry Skinner
FIJM 2026 | Music for a Crowded Elevator 
Concert review Jazz

FIJM 2026 | Music for a Crowded Elevator 

By Frédéric Cardin
FIJM 2026 I “Modes of Coltrane” in the Rain
Concert review Jazz

FIJM 2026 I “Modes of Coltrane” in the Rain

By Vitta Morales
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
Interview Jazz

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

By Michel Labrecque
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
Concert review Jazz

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

By Frédéric Cardin
FIJM 2026 | BEATrio: A Deluge of Warm Notes
Concert review Americana/Jazz

FIJM 2026 | BEATrio: A Deluge of Warm Notes

By Michel Labrecque
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
Concert review Jazz

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

By Alain Brunet
FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
Concert review Jazz

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

By Varun Swarup
FIJM 2026 | Elena Pinderhughes, a fine debut
Concert review Jazz

FIJM 2026 | Elena Pinderhughes, a fine debut

By Varun Swarup
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
Interview Jazz

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

By Frédéric Cardin
FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks
Interview Jazz

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

By Alain Brunet
FIJM 2026 | The Harp Can Count on Brandee Younger
Interview Jazz

FIJM 2026 | The Harp Can Count on Brandee Younger

By Michel Labrecque
FIJM 2026 | The Artistry of the Trio with Craig Taborn
Concert review Jazz

FIJM 2026 | The Artistry of the Trio with Craig Taborn

By Alain Brunet
FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest
Concert review Caribbean/Soul/R&B

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

By Vitta Morales
FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master
Concert review Hip Hop

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

By Stephan Boissonneault
FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant
Interview Jazz

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

By Harry Skinner
FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins
Interview Jazz

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

By Alain Brunet
Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night
Interview Classical/classique

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

By Frédéric Cardin
FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks
Interview Jazz

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

By Alain Brunet
FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 2
Interview Jazz

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 2

By Michel Labrecque
FIJM 2026 | Ostara, femmes de jazz
Concert review Jazz

FIJM 2026 | Ostara, femmes de jazz

By Michel Labrecque
FIJM 2026 | Keyon Harrold, Miles and him
Interview Jazz

FIJM 2026 | Keyon Harrold, Miles and him

By Alain Brunet
Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)
Album review Electronic/Experimental / Contemporary/expérimental / contemporain 2026

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

By Stephan Boissonneault
FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy
Concert review Pop/Rock/Classical/classique/pop symphonique

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

By Alain Brunet
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