Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
Interview Classical/classique

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

By Frédéric Cardin
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
Concert review classique/Classical

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

By Pietro Freiburger
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
Interview

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

By Michel Rondeau
Akousma | Les Artefacts sonores de Roxanne Turcotte
Interview Classical/classique/Electronic

Akousma | Les Artefacts sonores de Roxanne Turcotte

By Alexandre Villemaire
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
Interview Electronic/expérimental / contemporain

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

By Michel Rondeau
Akousma | Exzald S, la violence du calme
Interview Electronic/expérimental / contemporain

Akousma | Exzald S, la violence du calme

By Alain Brunet
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
Concert review Caribbean

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

By Juliana Cortes
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
Interview arts numériques/Classical/classique/Électronique

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

By Alexandre Villemaire
Akousma | Alex Brisson et l’exploration musicale du feedback
Interview arts numériques/Classical/classique/Électronique

Akousma | Alex Brisson et l’exploration musicale du feedback

By Alexandre Villemaire
Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music
Concert review Classical/classique

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

By Frédéric Cardin
Gilla Band – Pugnello
Album review Rock 2026

Gilla Band – Pugnello

By Stephan Boissonneault
David Bowie – The Shel Talmy Recordings
Album review Folk/Americana 2026

David Bowie – The Shel Talmy Recordings

By Stephan Boissonneault
Piknic Électronik x Igloofest: A Chilly Last Hurrah 
Concert review

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

By Julius Cesaratto
Arion: Cinderella has fun and unleashes her magic
Concert review Classical/classique

Arion: Cinderella has fun and unleashes her magic

By Frédéric Cardin
Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy
Interview Caribbean/Piano

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

By Sandra Gasana
Azrieli Prize 2026: The Four Pillars of the Temple
Concert review Classical/classique

Azrieli Prize 2026: The Four Pillars of the Temple

By Frédéric Cardin
Fat Dog – Cancel Me (I’m Tired)
Album review Americana/Rock 2026

Fat Dog – Cancel Me (I’m Tired)

By Stephan Boissonneault
Protomartyr – Hotel Usona
Album review Rock 2026

Protomartyr – Hotel Usona

By Stephan Boissonneault
Ensemble Caprice at the 9th: Dialogue with Carnatic India
Interview Classical/classique

Ensemble Caprice at the 9th: Dialogue with Carnatic India

By Frédéric Cardin
A resurrected and vocally spectacular Cinderella at Bourgie Hall
Interview Classical/classique

A resurrected and vocally spectacular Cinderella at Bourgie Hall

By Frédéric Cardin
Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead
Interview Caribbean

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

By Sandra Gasana
Girl Ultra – RRRomeo
Album review Pop 2026

Girl Ultra – RRRomeo

By Stephan Boissonneault
Cameron Winter – Live at Carnegie Hall
Album review Folk/Americana/Classical/classique/Piano 2026

Cameron Winter – Live at Carnegie Hall

By Stephan Boissonneault
Eveybody’s Friends With Broken Social Scene
Concert review Rock

Eveybody’s Friends With Broken Social Scene

By Stephan Boissonneault
Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers