How could a colossus like Feldman, who was more than six feet tall and weighed nearly 300 pounds, paradoxically compose such delicate music? Toru Takemitsu thought that maybe it was because he was so shortsighted that when he wrote his music, “it was as if he was touching the notes with his eyes.” What makes this box set such an exceptional success is the incredible attention to detail that has gone into it. Everything, from its long and patient preparation to the enlightening notes in the booklet, which the pianist wrote, has been handled with love and care. The sound recording is so intimate and tactile that the listener feels as if they’re sitting in the pianist’s bench. It reveals the subtleties of this music like never before.
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Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
Par Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
Par Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Par Louise Jaunet
Critique de concert Folk/Americana
Noah Kahan: An Emotive Performance with Goofy Banter
Par Serena Yang
Critique de concert
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
Par Elena Mandolini
Interview classique/Jazz/Classical