Bixiga is the São Paulo neighbourhood they call home, and the “70” is a nod to Nigerian Afrobeat godfather Fela Kuti, a simple summary of the transatlantic trading this ferocious 10-piece engage in. There’s room for further elements within Bixiga 70’s expansive yet dense compositions — cumbia here, Caribbean there, even some freaky B-movie sounds-of-science — but the baseline the Afro-Brazilian connection, a link expressed in many imaginative ways but always bold, emphatic and undeniable.
Latest 360 Content
Album review dream pop/Rock/Progressive Folk 2025
Jonathan Hultén – Eyes of the Living Night
By Alain Brunet
Concert review classique/Classical
OSM and Khachatryan | Music, Politics and The Human Condition
By Hélène Archambault
Concert review Jazz/expérimental / contemporain/Métal/Musique de création
M/NM | Metal and Contemporary Jazz at The SMCQ Buffet
By Alain Brunet
Interview Classical/classique/expérimental / contemporain
M/NM | DigiScores or The Art of Playing With Animated Scores
By Alexandre Villemaire
Album review Classical/classique 2025
Vannina Santoni; Orchestre national de Lille/Jean-Marie Zeitouni – Par amour
By Frédéric Cardin
Concert review Classical/classique/Piano
M/NM : Kafka’s Insect in metamorphosis under the Satosphère
By Judith Hamel
Interview Caribbean
Black History Month | Jean Jean Roosevelt Pays Tribute to Dessalines
By Keithy Antoine
Interview dream pop/Electronic/Americana/Rock/prog