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OSM : Andrew Wan joue Sibelius

Thu 19 Nov 2026 • 07:30 pm / Sat 21 Nov 2026 • 02:30 pm classique / période romantique
Maison symphonique - Montréal De 28$ à 250$
· by Rédaction PAN M 360

Du premier frémissement d’une source jusqu’à l’éclat féerique d’un lac enchanté, ce concert suit une trajectoire aquatique bercée d’imaginaire. La Moldau de Smetana ouvre la voie : un fleuve naît, se faufile, s’amplifie et l’Orchestre chatoie de couleurs évoquant forêts, villages et courants vifs. Au centre du voyage, le Concerto pour violon de Sibelius surgit comme un torrent intérieur, où Andrew Wan déploie un lyrisme solitaire, ardent, sculpté par les silences et les élans. Après la création mondiale de Cassandra Miller, le parcours s’achève dans la Suite du Lac des cygnes de Tchaïkovski, éclatante d’étincelles orchestrales. Le fleuve devient lac : un lieu de magie, de danse et de lumière.

From the first shimmering of a spring to the magical brilliance of an enchanted lake, this concert traces an aquatic journey steeped in imagination. Smetana’s The Moldau sets the course: a river is born, winds its way, swells, and the orchestra sparkles with colors evoking forests, villages, and rushing currents. At the heart of the voyage, Sibelius’s Violin Concerto surges like an inner torrent, where Andrew Wan unfolds a solitary, ardent lyricism, sculpted by silences and soaring lines. After the world premiere of Cassandra Miller’s work, the journey concludes with Tchaikovsky’s Swan Lake Suite, dazzling with orchestral brilliance. The river becomes a lake—a realm of magic, dance, and light.

Programme

Bedřich Smetana, La Moldau (12 min)
Jean Sibelius, Concerto pour violon, op. 47 (35 min)
Cassandra Miller, création mondiale (25 min)
Piotr Ilitch Tchaïkovski, Le lac des cygnes (suite de ballet), op. 20 (22 min)

Program

Bedřich Smetana, The Moldau (12 min)
Jean Sibelius, Violin Concerto, op. 47 (35 min)
Cassandra Miller, World Premiere (25 min)
Pyotr Ilyitch Tchaikovsky, Swan Lake (Ballet Suite), op. 20 (22 min)

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Ce contenu provient de l’Orchestre symphonique de Montréal et est adapté par PAN M 360

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