For my first album review of 2026, I am sharing a huge favorite: an unlikely trio made up of São Paulo rapper Criolo, jazz musician deeply rooted in Brazilian traditions Amaro Freitas, and pop singer Dino d’Santiago, originally from Cape Verde and now based in Lisbon. This blend of different influences is simply delicious and smooth.
It opens with jazz piano, joined by percussion and trumpet. Then voices rise in English and then in French. Soon after, Criolo delivers a rap poem titled Et si on liquidait tous les livres (E Se Livros Fossem Líquidos). What a powerful opening.
From there, an entire range of styles blend together with perfect fluidity. Traditional Brazilian sounds, percussive jazz, a fiery violin solo, ethereal folk, nods to R&B and to Cape Verdean music. The completely distinct voices of Criolo and Dino d’Santiago interlock seamlessly, with their particular tones and accents.
It is also a beautiful example of Lusophone brotherhood, as Brazilians often overlook contemporary Portuguese music, even though it is excellent. The same can sometimes be said in Portugal toward new music from the former colony. Between the two, Cape Verde builds a bridge.
Criolo, Amaro e Dino begins 2026 in commanding form. It may already earn a place in my top albums of 2026.
In the meantime, do not hesitate to explore the discographies of each of the three protagonists. They all have rich and accomplished careers.
