Rock

Yseult Kicks Off Her Mental Tour in Montreal

by Sandra Gasana

It was to a packed house that singer Yseult appeared at MTelus on Monday evening. No sooner had the lights gone down than the room began to go wild. In the distance, a voice could be heard counting down in English, promising an intriguing staging.

She is accompanied by her two American musicians, on guitar and drums, whom she teases and imitates the accent at times during the show. Dressed in military pants, white gloves with “Mental Tour” written on them, necklaces around her neck and belts around her waist.

The French singer from Cameroon opens the show with Noir, and seems to be having the time of her life on stage. She dances and strolls around, closely followed by a videographer who captures the moment.

“It’s a pleasure to be back in Montreal, I’m quite moved because it’s the first time I’ve produced a tour on my own,” she shares with us moved, to applause. “It’s thanks to you that I’m able to do all this,” she continues.

She juggles classics like Corps with songs from her latest Mental project, such as Garçon and the crowd-pleasing hit Gasolina. Rock is omnipresent during the show, with her screaming and even shouting between intense electric guitar solos.

“Let me get rid of my wig, I’m going to get comfortable,” she says, before reappearing wearing a hat. Her stage presence is undeniable. “Can I share a new song with you, one that’s not out yet?” she asks the crowd, delighted by the privilege. And so we discover Problematic, which pleases the audience, especially the acoustic section, as well as Hysteria, also an unreleased song. Applause rained down, but it was especially after Corps that the crowd didn’t want to stop applauding. She did it a capella because she had promised herself that she would never do it again in piano-vocals, since the death of her pianist Nino Vella in 2024. The audience accompanied her on the chorus, one of the highlights of the show.

She finished with the track Suicide, ideal for closing the show, before returning for an encore in techno mode. It may have been a Monday night, but that didn’t stop the MTelus from being packed. Next stop: New York on February 3.

Photo Credit: Léa

Latest 360 Content

Carpenter Brut – Leather Temple

Carpenter Brut – Leather Temple

Bibi Club – Amaro

Bibi Club – Amaro

Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation

Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation

Remi Bolduc unveils his Groove Quintet

Remi Bolduc unveils his Groove Quintet

Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music

Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music

5ilience | Devinim, When Sounds Move Through The Reeds

5ilience | Devinim, When Sounds Move Through The Reeds

Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms

Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms

The magic of Miyazaki comes to life with the FILMharmonic Orchestra

The magic of Miyazaki comes to life with the FILMharmonic Orchestra

Bigflo & Oli – Karma

Bigflo & Oli – Karma

Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era

Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era

Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens

Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens

Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds

Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds

The Setting – The Setting

The Setting – The Setting

Symphonic Tribute to Daft Punk: Effective Fusion, Mostly

Symphonic Tribute to Daft Punk: Effective Fusion, Mostly

Morrissey – Make-up is a Lie

Morrissey – Make-up is a Lie

The Sheepdogs, or How to Become a Classic “Outside the Storm”

The Sheepdogs, or How to Become a Classic “Outside the Storm”

War Child Records – HELP (2)

War Child Records – HELP (2)

Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules

Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules

Bajofondo – Ohm

Bajofondo – Ohm

Lucas Santtana – Brasiliano

Lucas Santtana – Brasiliano

Harry Styles – Kiss All the Time. Disco, Occasionally 

Harry Styles – Kiss All the Time. Disco, Occasionally 

Arion Baroque Orchestra: Il pianto di Maria: Tears of Joy

Arion Baroque Orchestra: Il pianto di Maria: Tears of Joy

Semaine du Neuf | Sound understanding for children under 3 years… and us

Semaine du Neuf | Sound understanding for children under 3 years… and us

Semaine du Neuf | Sxelxéles te tl’etla’axel – Design for Inviting, the Power of Words… and of Sounds?

Semaine du Neuf | Sxelxéles te tl’etla’axel – Design for Inviting, the Power of Words… and of Sounds?

Subscribe to our newsletter