Country : Canada Label : Hand Drawn Dracula Genres and styles : Doom Metal / Noise / Noise Rock / Shoegaze Year : 2024

Bonnie Trash – My Love Remains The Same

· by Stephan Boissonneault

Back in 2022, we were witness to the sinister “Teeth” music video by Guelph’s gothic noisegaze duo, Bonnie Trash. At the tail end of 2022, we got the monolithic Malocchio full-length, a sonic horror story derived from familial truth. Now, two years later, we have a new EP from Bonnie Trash, who, like all things, has gone through an evolution, as it were. Now as a full-fledged four-piece, the sisters Bortolon-Vetto have added touring members, Emma Howarth-Withers (bass), and Dana Bellamy (drums), affixing a permanent and heavy rhythm section to the romantic madness.

The new EP, My Love Remains The Same, is a short one, but has Bonnie Trash locked the hell in on their tones, atmosphere, and mystifying crescendos. Emmalia’s lead guitar is piercing and layered, sounding like a maleficent banshee, while Sarafina’s vocals are all-encompassing—like a spirit gnawing at the back of your brain—while the bass guitar from Howarth-Withers holds the friction together like a sculptor glue. The themes of love, grief, and loss are felt immediately during the darkened shoegaze single “Kisses Goodbye,” a song that feels a bit Slowdive if they listened to more Christian Death. The drums sound like they are being played by sticks of pure lead, so much so that I wonder what the Bonnie Trash toms look like—cause they are taking a beating.

“What Have You Become,” might be the most danceable track Bonnie Trash has ever produced, with its discordant post-punk bend and longing chug. The outro is easily a highlight of the album with the evil-trilling lead guitar that wraps up the ungodly atmosphere in a nice fraying bow.

Last we have a doomy cover of “Red Right Hand,” by Nick Cave and the Bad Seeds—a song covered by a legion of musicians from PJ Harvey to the Arctic Monkeys. But Bonnie Trash’s spin is heavy, like a death knell, and probably fits the best in terms of the dirge-like quality Nick Cave loves. In fact, the cover makes sense, as Sarafina’s vocal style, the way certain words are enunciated and left to fester like a wound, is very Nick Cave. The little synthy haunted house bridge is also pure candy for any audiophile, a perfect cover from the Sisters Bortolon-Vetto and Co.

Latest 360 Content

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Voces Boreales | Tempus Fugit, “to experience time differently”

Voces Boreales | Tempus Fugit, “to experience time differently”

Azrieli Prize: Next stop 2028, with Linda Bouchard, Luis Arias, and Matthew Rosenblum!

Azrieli Prize: Next stop 2028, with Linda Bouchard, Luis Arias, and Matthew Rosenblum!

FMA 2026 | MaqaMorphose presents Abdelwahab, Romantic Composer

FMA 2026 | MaqaMorphose presents Abdelwahab, Romantic Composer

Jazz@Vue | Impressive Léno duo and the elegance of Gentiane MG

Jazz@Vue | Impressive Léno duo and the elegance of Gentiane MG

Fontaines D.C. – Dopamine Chamber

Fontaines D.C. – Dopamine Chamber

Queens of the Stone Age – Perfecth

Queens of the Stone Age – Perfecth

Sophia Stel – the greatest album of all time

Sophia Stel – the greatest album of all time

The Fall – Post Script

The Fall – Post Script

Le Vivier: Judith Fliedl’s Super Ultra Violin

Le Vivier: Judith Fliedl’s Super Ultra Violin

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers