When I received a copy of Symon Henry’s graphic score for his work Voir dans le vent qui hurle les étoiles rire, et rire, published in collaboration with Éditions de la Tournure in 2016, I regretted that it was not accompanied by a recording, especially since the creation of the work had been entrusted to the Orchestre symphonique de Québec. At the time, it was a mixed score, with elements of standard notation, the original version having been co-written with composer Yannick Plamondon. Here, the ten or so musicians of the Ensemble SuperMusique, under the direction of Danielle Palardy Roger, have only the graphic part of the text in front of them, which nevertheless extends over 168 pages. Mostly made up of long sinuous lines that cross the pages horizontally, the score inevitably results in a series of glissandi that criss-cross from one end of the piece to the other, with here and there a few “rhythmic” gaps, sprinkled with brief silences. The piece, which according to the composer’s note, “gives us the laughter of the stars, the howling of the wind, the exultation of the bodies”, develops slowly, in a rather static manner, until a climax that arrives, surprisingly, in the penultimate movement, before being torn to shreds in the last. As is often the case in an abstract visual work, it’s the detail of the interplay of textures and colours that catches the attention, rather than the general form, in meditative mode, which could literally be circular.
Latest 360 Content
Concert review expérimental / contemporain/Jazz
FIJM | Fievel is Glauque For Dessert… Dessert loaded!
By Alain Brunet
Interview Soul/R&B/Jazz
FIJM | Alexis Lombre and the Holy Spirit in the South Side of Chicago
By Alain Brunet
Concert review Americana
FIJM | Allison Russel’s Apotheosis Concert in Her Hometown
By Michel Labrecque
Concert review
FIJM I Best Dressed, Most Possessed: Fantastic Negrito Stupefies Rogers Stage
By Stephan Boissonneault
Interview Africa/Hip Hop/Jazz/Soul/R&B
Nuits d’Afrique | Immersion In The World of Stogie T
By Michel Labrecque
Concert review Jazz
FIJM | Anomalie and Lettieri: A New Musical Friendship, Developing in Real Time
By Harry Skinner
Concert review Jazz
FIJM | Linda May Han Oh, A Role Model for Female Double-Bass Players
By Alain Brunet
Interview latino/Rock
Nuits d’Afrique | La Chiva Gantiva As Seen by Rafael Espinel
By Michel Labrecque
Concert review Soul/R&B/Hip Hop/Jazz
FIJM | Thundercat, A Feline on The Loose
By Jacob Langlois-Pelletier
Concert review Africa
FIJM | Queen of Afrobeats, Ayra confirms her status as a Global… Starr
By Sandra Gasana
Interview Classical/classique
Festival de Lanaudière | Leonardo Garcia Alarcon/Monteverdi’s Coronation of Poppea: being marketwise
By Frédéric Cardin
Interview Africa/Mandingo Blues
Nuits d’Afrique 2025 | Tyrane Mondeny Presents Her Mandingo Soul
By Sandra Gasana
Concert review Folk/Americana/Jazz/Soul/R&B