Better known under the stage name Lynn Gunn, singer Lyndsey Gerd Gunnulfsen is becoming an important LGBT figure on planet rock, with a strong possibility of becoming a headliner in the years to come. A band from Lowell, a Massachusetts town on the outskirts of Boston where the famous writer Jack Kerouac lived, PVRIS don’t reinvent the wheel; the melodic hooks and harmonic constructions put forward here have indeed been adopted by thousands of artists associated with pop and rock. Needless to say, Lynn Gunn and her colleagues have mastered these forms to perfection, otherwise we wouldn’t be wasting our time doing this review. What’s more, Use Me’s electronic ornaments contribute to the partial renovation of outdated forms; guitars, bass, drums, and keyboards are wrapped in effect pedals and hand-picked synthesizer sounds, giving this American band its own personality. The themes dear to the singer touch the whole of her generation, especially the growing number inclined to sexual fluidity. Despite their apparent musical conformism, PVRIS can therefore be considered a vehicle for change. Note that Use Me is the band’s last album recorded with guitarist Alex Babinski, who was fired following recent allegations of sexual misconduct.
Latest 360 Content
Interview Classical/classique/Sacred Music
Bach’s St. John Passion : A Sacred Opera to Conclude Ensemble Caprice’s Season
By Alexandre Villemaire
Concert review Electronic/Indigenous peoples
Centre PHI / Habitat sonore | Totally Sublime Afternoon with Moe Clark and Pursuit Grooves
By Léa Dieghi
Interview Classical/classique
Marie Nadeau-Tremblay | When Baroque Becomes Obsession
By Judith Hamel
Concert review Classical/classique
Steve Reich’s quartets at Bourgie Hall : a perfectly oiled minimalist mechanism
By Frédéric Cardin
Album review Classical/classique/Électronique 2025
Molécule/Orchestre national de Lille; Alexandre Bloch, dir. – Symphonie no 1 ‘’quantique’’
By Frédéric Cardin
Album review Classical/classique 2025
BBC Symphony Orchestra/Timothy Redmont, dir. – Beyond
By Frédéric Cardin
Album review Pop/Experimental / Contemporary/expérimental / contemporain/Rock/Neo-soul/post-grunge 2025
SPELLLING – Portrait of My Heart
By Stephan Boissonneault
Album review Chanson francophone/Electronic 2025
Louise Forestier – Vieille corneille
By Alain Brunet
Concert review art numérique/expérimental / contemporain/immersion
Sight + Sound | Fili Gibbons
By Loic Minty
Concert review art numérique/Electronic/expérimental / contemporain/immersif
Sight + Sound | A Rain Ritual in Anticipation
By Félicité Couëlle-Brunet
Interview Classical/classique
Opera McGill | Imeneo of Handel through the lens of Patrick Hansen
By Alexandre Villemaire
Album review Rock 2025
Gloin – All of your anger is actually shame (and I bet that makes you angry)
By Stephan Boissonneault
Interview Classical/classique
Pro Musica | Piano prodigy Jaeden Izik-Dzurko: “serious”, “introverted” and… extremely refined
By Alain Brunet
Album review Chanson francophone/Piano 2025