A few months after the release of the EP These Elements, the young British singer Holly Lapsley Fletcher is back with Through Water, a new electro-pop album that she produced mostly by herself, and to which she added two tracks from her EP, “My Love Was Like the Rain” and “Ligne 3”. These additions fit seamlessly into the aesthetics of the album, whose lyrics address environmental concerns, a break-up she went through, and self-acceptance. From the narration of the first track “Through Water”, Låpsley announces the new stylistic avenues she will explore throughout the album, varying between dance (“Womxn”), reggae (“First”) and ambient (“Leeds Liverpool Canal”). These explorations in no way compromise the refined aesthetic signature that we appreciate so much in her, created from keyboard chords, her unique voice timbre and the effects she adds to it, without forgetting the rhythmic sequences with chosen tonalities that constantly renew the pleasure of listening.
Latest 360 Content
Album review Pop/Rock 2026
Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983
By Stephan Boissonneault
Interview chanson française
Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”
By Alain Brunet
Interview classique/concours/violon
The art of judging with Lucie Robert, president of the jury of the International Music Competition
By Alexandre Villemaire
Interview Electronic
SAT | “Futurs Antérieurs”, 3 Decades of Expertise Focused on The Future
By Alain Brunet
Interview
Keithy Antoine from PAN M 360, Conversation with “People’s Choice / Media Dynasty”
By Alain Brunet
Interview Classical/classique
Molinari Quartet | The Shostakovich Marathon is Imminent!
By Alain Brunet
Interview Classical/classique
The Lake at Grands Ballets : Replacing Tchaïkovski… by Tchaïkovski
By Frédéric Cardin
Concert review Caribbean/Jazz
Kulusé Souriant, A Jazz Style Influenced by Caribbean Roots
By Sandra Gasana
Concert review musique de jeux vidéo/Pop
OSM | A Heroic Symphony That Doesn’t Beat the Boss
By Alexis Desrosiers-Michaud
Concert review A Cappella/classic rock/classique
ArtChoral Sings the Beatles: The Classic Pop We Needed
By Alexandre Villemaire
Concert review Classical/classique/Musiques du Monde
Festival Accès Asie – Flutes of the World, Unite!
By Frédéric Cardin
Album review musique de film 2026
Ludwig Göransson – The Mandalorian and Grogu – Original Motion Picture Soundtrack
By Frédéric Cardin
Interview A Cappella/Classical/classique























