A few months after the release of the EP These Elements, the young British singer Holly Lapsley Fletcher is back with Through Water, a new electro-pop album that she produced mostly by herself, and to which she added two tracks from her EP, “My Love Was Like the Rain” and “Ligne 3”. These additions fit seamlessly into the aesthetics of the album, whose lyrics address environmental concerns, a break-up she went through, and self-acceptance. From the narration of the first track “Through Water”, Låpsley announces the new stylistic avenues she will explore throughout the album, varying between dance (“Womxn”), reggae (“First”) and ambient (“Leeds Liverpool Canal”). These explorations in no way compromise the refined aesthetic signature that we appreciate so much in her, created from keyboard chords, her unique voice timbre and the effects she adds to it, without forgetting the rhythmic sequences with chosen tonalities that constantly renew the pleasure of listening.
Latest 360 Content
Interview Classical/classique
Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation
By Alain Brunet
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Interview Africa/Caribbean
Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms
By Sandra Gasana
Concert review musique de film
The magic of Miyazaki comes to life with the FILMharmonic Orchestra
By Frédéric Cardin
Interview Classical/classique
Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era
By Alain Brunet
Column
Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens
By Frédéric Cardin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Album review Electronic/Pop/Classical/classique/Jazz 2026
The Setting – The Setting
By Stephan Boissonneault
Concert review Pop/musique de film/pop symphonique
Symphonic Tribute to Daft Punk: Effective Fusion, Mostly
By Frédéric Cardin
Interview Blues/Americana/classic rock/Rock/southern rock/southern soul
The Sheepdogs, or How to Become a Classic “Outside the Storm”
By Alain Brunet
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
By Frédéric Cardin
Concert review Classical/classique
Arion Baroque Orchestra: Il pianto di Maria: Tears of Joy
By Alexandre Villemaire
Concert review Experimental/jeunesse
Semaine du Neuf | Sound understanding for children under 3 years… and us
By Vitta Morales
Concert review expérimental / contemporain/Indigenous peoples























