Country : Canada Label : Next Door Records Genres and styles : Chamber Folk / Indie Folk / Minimalist / Singer-Songwriter Year : 2022

The Weather Station – How Is It That I Should Look at the Stars

· by Stephan Boissonneault

Not even a year after her 2021 critically acclaimed Ignorance album, Tamara Lindeman aka The Weather Station has just released a companion follow-up LP entitled How Is It That I Should Look at the Stars. Ignorance could be called a masterpiece, and LP reinvigorated The Weather Station’s sound with dark jazz, pop, and experimental indie songs about climate change grief, sorrow, and loss. 

It’s a hard album to follow up, and How Is It…, doesn’t even try. That’s not to say it’s a bad album, but it’s more intimate and delicate, using the piano and Tamara’s vulnerable voice as the main instruments. 

The songs feel like they stem from a stream of consciousness as Lindeman muses about uncertainty, insignificance, grace in a graceless world, all with her powerful and heartbreaking vocal tone. 

This album was recorded over three days, live-off-the-floor, and the production leaves every breath, exhale, and refrain of Lindeman’s. It feels like a live recording in a room only lit by candles. There is a bit of clarinet, saxophone, but interestingly no percussion which does put the songs in a more piano ballad realm. 

Still, How Is It That I Should Look at the Stars is filled with Linedman’s vocal poetry and the existential dread present throughout much of 2020 to now. And the climate grief present on Ignorance does find its way into a few tracks. “Marsh” talks about the changing landscape using clever metaphors and “Stars,” where the album takes its title from the opening line, has Lindeman gazing at the night sky as she relives childhood memories. No matter what period in her life, the stars were always this ever-present entity, reminding her how small everything is in comparison. 

Simply, How Is It That I Should Look at the Stars is meant to be a companion piece to Ignorance giving more context into the thoughts of Lindeman’s complex mind during her creative process. She might pull out a few of the songs live, but probably not much more than that.

Latest 360 Content

Life is a fragrance: conclusion of the Trilogy of Scents by Jacques Kuba Seguin

Life is a fragrance: conclusion of the Trilogy of Scents by Jacques Kuba Seguin

Jacques Kuba Séguin – Parfum no 3

Jacques Kuba Séguin – Parfum no 3

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

The Musical Rebirth of Mantisse

The Musical Rebirth of Mantisse

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

With Yatou, Noubi Brings Together Voices From Around the World

With Yatou, Noubi Brings Together Voices From Around the World

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The Plastic Waste Band – Trash Island

The Plastic Waste Band – Trash Island

Juan Sebastian Delgado – Tangos imaginarios

Juan Sebastian Delgado – Tangos imaginarios

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers