Co-produced by Deadbeat and recorded between Argentina, Colombia, France and Berlin, the third album of Chilean-German artist Mathias Aguayo is a wonderfully engaging creative journey. Although largely electronic, The Visitor sounds lively and organic, each sound of the inventive producer being characterized by a direct, ultra-rhythmic approach. With The Visitor, Aguayo offers an inventive and incredibly refreshing work that transcends musical boundaries effortlessly. The Visitor is a playful, daring album that remains perhaps the best expression to date of Aguayo’s rhythmic approach.
Latest 360 Content
Album review classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
By Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz
Hawa B or not Hawa B ? “sadder but better” EP answers the question !
By Alain Brunet
Concert review classique/Classical/Africa
Abel Selaocoe: the wind that blows away
By Frédéric Cardin
Album review Rock 2024