“Electro-organic”, the laidback pop of Joseph, renamed Many Masks in the context of this artistic project, is part of a general trend: expressing himself in English, the Quebec artist evolves in a digital environment that does not exclude guitars and analog keyboards. Thus, despite the electro angle of the songs suggested here, he does not depart from distinctly throwback influences. This EP makes the most of a stuffy, sluggish voice that lingers over well laid-out melodic tracks, but not without accuracy. This apparent indolence is at the service of an artist who is more efficient than he seems. Many Masks is indeed able to string together solid catchphrases, a masterful quality in this case. Through five well-crafted songs under the banner The Ride, their creator evokes masks to be peeled away, slices of life and other facets of himself. In short, Many Masks is about knowing oneself better, and expressing the same – in short, Many Masks goes to the heart of Joseph. We’re eager for more.
Latest 360 Content
Interview Jazz/expérimental / contemporain/Rock
Palais Montcalm | Bill Bruford has (also) always been a jazz drummer
By Alain Brunet
Album review musique de film 2026
Ludwig Göransson – The Mandalorian and Grogu – Original Motion Picture Soundtrack
By Frédéric Cardin
Concert review Electronic/Pop
Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast
By Z Neto Vinheiras
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | أحمد [Ahmed] Raises the Debate
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Queen Mab, Renewal of Vows
By Michel Rondeau
Concert review expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction
By Alain Brunet
Concert review Classical/classique/Jazz
FIMAV 2026 | Darius Jones Fluxkit Vancouver: Complete Bliss
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Darius Jones: Exceptional Trio, Exceptional Concert
By Michel Rondeau
Concert review Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Josh Zubot Strings: Maximum Relevance, Maximum Delight
By Alain Brunet
Concert review Indian Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante
By Alain Brunet
Concert review Electronic/DJ set/Pop
Palomosa 2026: Hannah Diamond Brings The Pinkest DJ Set Ever
By Helena Palmer
Interview Rock/Electronic/Hip Hop
Palomosa 2026: Bands, Blood Rituals, and the Art of Curating a Festival – Interview with Mathieu Constance
By Lyle Hendriks
Interview Electronic/expérimental / contemporain/Classical/classique
FIMAV 2026 | “Voda” by Sarah Pagé, Sounds Inspired by Water Through Russian Mythology and Poetry
By Alain Brunet
Album review Pop 2026








![FIMAV 2026 | أحمد [Ahmed] Raises the Debate](https://panm360.com/wp-content/uploads/2026/05/Ahmed-live-500x500.jpg)














