“Electro-organic”, the laidback pop of Joseph, renamed Many Masks in the context of this artistic project, is part of a general trend: expressing himself in English, the Quebec artist evolves in a digital environment that does not exclude guitars and analog keyboards. Thus, despite the electro angle of the songs suggested here, he does not depart from distinctly throwback influences. This EP makes the most of a stuffy, sluggish voice that lingers over well laid-out melodic tracks, but not without accuracy. This apparent indolence is at the service of an artist who is more efficient than he seems. Many Masks is indeed able to string together solid catchphrases, a masterful quality in this case. Through five well-crafted songs under the banner The Ride, their creator evokes masks to be peeled away, slices of life and other facets of himself. In short, Many Masks is about knowing oneself better, and expressing the same – in short, Many Masks goes to the heart of Joseph. We’re eager for more.
Latest 360 Content
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb
Abdel Grooz Brings Mozaïk to A Spectacular Close
By Sandra Gasana
Album review Pop/Rock 2026
Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983
By Stephan Boissonneault
Interview chanson française
Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”
By Alain Brunet
Interview classique/concours/violon
The art of judging with Lucie Robert, president of the jury of the International Music Competition
By Alexandre Villemaire
Interview Electronic























