In the ’80 and ’90s, Mr. Bungle was one of the bands that heralded advanced forms of hard rock – thrash-metal, math-metal, hardcore punk. Composed measures, harmonic explorations, unusual shredding on the guitars, great speed of execution, you name it. Mike Patton (vocals, screaming, growling, pig squealing, etc.), Trey Spruance (guitars) and Trevor Dunn (bass) reappear 21 years after the band’s last studio album. The project we’re talking about here is eminently romantic, since it was about replaying the material of a demo conceived in 1986. To flesh out the proposal, they recruited notable collaborators: drummer Dave Lombardo (Slayer), guitarist Scott Ian (Anthrax), not to mention a short narration by actress Rhea Perlman. Often recruited by the papal John Zorn in avant-garde spheres as enlightened representatives of shrieking metal, Mike Patton (Faith No More, Fantomas, Tomahawk), Trevor Dunn (Secret Chiefs 3, Tomahawk, Melvins, Fantomas, Trio-Convulsant) and Trey Spruance (Secret Chiefs 3) now revisit their past. It’s evident that these musicians have certainly evolved technically, more agile and more precise than in the ’80s, so their performances are undoubtedly virtuoso… and that’s it. This music is reminiscent of the good old days, but… are these reconstructions of emerging forms of learned rock from more than 30 years ago now at the service of a truly outstanding, even classic work? Ask the question…
Latest 360 Content
Concert review expérimental / contemporain/Classical/classique/Jazz
Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Concert review classique
Montreal Chamber Music Festival | But it was a nice concert…
By Frédéric Cardin
Concert review Classical/classique
Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Contemporary Improvisation, Latin American Discovery
By Alain Brunet
Concert review Chanson francophone/Pop
Francos | The Candor and Kindness of Aliosha Schneider
By Marilyn Bouchard
Concert review Hip Hop/rap/Hip Hop
Francos | Back in Time With Saïan Supa Celebration
By Sandra Gasana
Interview Classical/classique
Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?
By Alain Brunet
Interview Electronic/Moyen-Orient / Levant / Maghreb
Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!
By Loic Minty
Concert review Electronic/classique/Arabic/expérimental / contemporain/Rock
Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger
By Alain Brunet
Concert review Jazz/Electronic/expérimental / contemporain/Soul/R&B
Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Musical Theatre
Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…
By Félicité Couëlle-Brunet
Interview classique/Classical/Eastern European/latino/Traditional/Musique traditionnelle mongole (khöömii)
My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Chik White and Ky Brooks raise their voices (but not Jessica Ackerley)
By Frédéric Cardin
Interview Electronic/classique/Rock/expérimental / contemporain/Experimental / Contemporary/Moyen-Orient / Levant / Maghreb