In February 2019, the quintet released The Door to Doom, their first album since Psalms for the Dead in 2012 and the first with singer Lohan Längqvist since the release of Epicus Doomicus Metallicus in 1986. Fans and nostalgics who were waiting for this return to the roots on behalf of Candlemass had reason to be happy since The Door to Doom is a very good album, in the continuity of Epicus Doomicus Metallicus, which is, let’s remember, the first effort of the doom band. The EP The Pendulum is composed of unused material from the recording sessions of The Door to Doom, and it must be said, it would have better remained unreleased. Apart from the title song that deserved a place on The Door to Doom (or a special edition of the album), there are demo versions of the songs “Snakes of Goliath” and “Porcelain Skull”, and bits of melodies entitled “Sub Zero”, “Aftershock”, and “The Cold Room”, that thin the sauce unnecessarily. In their demo versions, the songs sound like unfinished sketches that you forget as soon as you stop listening to them.
Latest 360 Content
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
By Alain Brunet
Concert review Jazz
FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup
Interview Jazz
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
By Frédéric Cardin
Concert review Caribbean/Soul/R&B
FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest
By Vitta Morales
Concert review Hip Hop
FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master
By Stephan Boissonneault
Interview Jazz
FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant
By Harry Skinner
Interview Classical/classique
Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night
By Frédéric Cardin
Album review Electronic/Experimental / Contemporary/expérimental / contemporain 2026
Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)
By Stephan Boissonneault
Concert review Pop/Rock/Classical/classique/pop symphonique






















