In February 2019, the quintet released The Door to Doom, their first album since Psalms for the Dead in 2012 and the first with singer Lohan Längqvist since the release of Epicus Doomicus Metallicus in 1986. Fans and nostalgics who were waiting for this return to the roots on behalf of Candlemass had reason to be happy since The Door to Doom is a very good album, in the continuity of Epicus Doomicus Metallicus, which is, let’s remember, the first effort of the doom band. The EP The Pendulum is composed of unused material from the recording sessions of The Door to Doom, and it must be said, it would have better remained unreleased. Apart from the title song that deserved a place on The Door to Doom (or a special edition of the album), there are demo versions of the songs “Snakes of Goliath” and “Porcelain Skull”, and bits of melodies entitled “Sub Zero”, “Aftershock”, and “The Cold Room”, that thin the sauce unnecessarily. In their demo versions, the songs sound like unfinished sketches that you forget as soon as you stop listening to them.
Latest 360 Content
Interview Classical/classique
Orford 2025 | Collectif9: folk that innovates and grooves
By Frédéric Cardin
Concert review Africa
Nuits d’Afrique 2025 | The next global star of Tuareg blues is born, and it is in Montreal
By Frédéric Cardin
Interview classique/Classical
Festival de Lanaudière | Franco Fagioli and the voice of bel canto
By Alexandre Villemaire
Concert review Africa/Electronic/latino
Nuits d’Afrique | El Gato Negro, A Feline Like No Other
By Sandra Gasana
Concert review Gnawa
Nights of Africa 2025 | A gnawa fusion reactor named Saïd Mesnaoui
By Frédéric Cardin
Concert review Africa
Nuits d’Afrique 2025 | Sousou and Maher Cissoko: benevolence and complicity
By Frédéric Cardin
Concert review Classical/classique
Festival de Lanaudière | A Successful Choral Evening for Akamus
By Alexis Desrosiers-Michaud
Interview classique/Classical
Festival d’art vocal de Montréal | Training the Next Generation of Lyric Artists, From Voice to Stage Direction
By Alexandre Villemaire
Concert review Africa/Mandingo Blues/Soul/R&B
Nuits d’Afrique | Tyrane Mondeny: The Rising Star Has Reached Her Destination
By Sandra Gasana
Interview Hip Hop/Jazz/Pop
Nuits d’Afrique | El Gato Negro, The Sound of Subtropical Pop
By Keithy Antoine
Concert review Brazilian
Nuits d’Afrique | Mateus Vidal & Axé Experience, “Uma Festa” in The Rain
By Michel Labrecque
Concert review Africa/conte/Hip Hop/percussions
Nuits d’Afrique | Les mamans du Congo x Rrobin: A Successful Bet!
By Sandra Gasana
Concert review Gnawa/Psychedelia
Nuits d’Afrique: Bab L’ Bluz Summons The Desert
By Stephan Boissonneault
Interview Gnawa
Nuits d’Afrique 2025 | Saïd Mesnaoui: Gnawa Fusion at the Heart of a Radiant Artist
By Frédéric Cardin
Interview Classical/classique/Sacred Music