In February 2019, the quintet released The Door to Doom, their first album since Psalms for the Dead in 2012 and the first with singer Lohan Längqvist since the release of Epicus Doomicus Metallicus in 1986. Fans and nostalgics who were waiting for this return to the roots on behalf of Candlemass had reason to be happy since The Door to Doom is a very good album, in the continuity of Epicus Doomicus Metallicus, which is, let’s remember, the first effort of the doom band. The EP The Pendulum is composed of unused material from the recording sessions of The Door to Doom, and it must be said, it would have better remained unreleased. Apart from the title song that deserved a place on The Door to Doom (or a special edition of the album), there are demo versions of the songs “Snakes of Goliath” and “Porcelain Skull”, and bits of melodies entitled “Sub Zero”, “Aftershock”, and “The Cold Room”, that thin the sauce unnecessarily. In their demo versions, the songs sound like unfinished sketches that you forget as soon as you stop listening to them.
Latest 360 Content
Concert review microtonal/Rock
FIJM 2026 | The polka dot alien Québécois craze has landed
By Vitta Morales
Interview Electronic/Jazz/Soul/R&B
FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA
By Alain Brunet
Concert review Jazz
FIJM 2026 | Cécile Mc-Lorin Salvant Wins the Ella Fitzgerald Award During a Thrilling Concert!
By Michel Labrecque
Concert review Classical/classique/Rock
FIJM 2026 | Flore Laurentienne, The Ultimate Honor
By Alain Brunet
Concert review Rock/Folk/Americana
FIJM 2026 I The Barr Brothers say ‘thank you’ to Montreal
By Stephan Boissonneault
Interview classique/Jazz/Musiques du Monde
Summer 2026 at Cammac: Stéphane Tétreault, Schubert, jazz, brunch, and hypnosis on the program
By Frédéric Cardin
Interview Jazz/Americana/Traditional
FIJM 2026 | Solarium: Traditional Music Through the Lens of Jazz
By Alain Brunet
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock






















