“One long song recorded nowhere between May 2019 and May 2020,” says the Bandcamp page. In re-launching The Microphones, Phil Elverum (also Mount Eerie) didn’t just make a “long song” of 44 minutes and 44 seconds, not without creating the necessary elements to keep us alert and focused. The work is set with timbral, textural, and instrumental variations. The interest of this diversity lies in a single and very simple architecture: intro, verse, pre-refrain, chorus, bridge, outro… for 44 minutes and 44 seconds. Slow grooves of acoustic or electric guitars, bass, effects pedals, harmoniums, piano, percussion, played by one man, nowhere, between those two months of May. At the end of an eight-minute introduction, an enigmatic, almost haunting repetition, the harmonic structure of the work unfolds, and this iteration carries to the end, at varying levels of intensity. Through this fok-song mantra, we go from acoustic sobriety to thick fogs of saturation, and more. This proposal is also the vehicle for a tale told without rhyme, but precisely woven with rhythm. Words declared in one long story… imagined nowhere, between May 2019 and May 2020.
Latest 360 Content
Interview classique/Classical
Virée classique 2025 | Beth Taylor sings of love and nature
By Alexandre Villemaire
Interview Africa/Mandingo Blues
Afrikan: a brand new festival of music and culture from Africa is launched
By Frédéric Cardin
Interview classique/Classical
Domaine Forget 2025 | Schubert’s Winterreise through the fingers and voice of Rachel Fenlon
By Alexandre Villemaire
Interview classique
Classical Outing 2025 | Pianist Martin Helmchen: Passion and Intensity by the handful
By Frédéric Cardin
Interview classique
Classical Spree 2025 | Obiora Ensemble : A concert-feast for the eyes and ears of the whole family!
By Frédéric Cardin
Album review Classical/classique 2025
Quatuor Bozzini – Owen Underhill : Songs and Quartets
By Frédéric Cardin
Album review Classical/classique 2025
English National Opera Orchestra/Martyn Brabbins – Havergal Brian : Agamemnon; Sinfonia tragica; Symphony no 12
By Frédéric Cardin
Album review Classical/classique 2025
The Curious Bards – Sublimation: Songs and dances from 18th-century Scandinavia
By Frédéric Cardin
Album review Classical/classique 2025
Ensemble Masques/Olivier Fortin – Bach, Telemann & Albinoni: Concerti
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop/Jazz 2025
Quinton Barnes – Black Noise
By Frédéric Cardin
Album review Classical/classique 2025
François Leleux/Lisa Batiashvili/Frankfurt Radio Symphony – Future Horizons
By Frédéric Cardin
Album review Jazz 2025