Things aren’t going particularly well for L. Teez on The Index to My Inner Thoughts. Disillusioned, the Montreal rapper bitterly deplores the hypocrisy of love and its games of seduction, as evidenced by such evocative titles as “Pain” and “No More Love Letters”. Fortunately, the singer-songwriter, who signed with Hydrophonik Records (the hip-hop branch of the Quebec rock label Indica), offers more than just desolation on this second EP of his career. Written between Montreal, Tokyo, Seoul, and Paris, cities he visited to perform concerts for his first EP The Half Full, this one testifies to a tangible evolution on the part of the rapper, even if it’s not all that daring. An excellent introduction to the subject, “Questions” sets the bar very high with its summary but sincere reflections on the rather catastrophic situation in which humanity seems to be getting bogged down. The urgency of the text is increased tenfold by Jérôme Dupuis-Cloutier’s remarkable trumpet, which adds striking depth. The same intensity is not found in the rest of The Index to My Inner Thoughts. Although well constructed, the songs lack originality and flavour in their blend of jazz and rap. Carried by warm soul tones, closer “Hold On”, in collaboration with singer Lea Keeley (who contributes to half of the songs), ends this mini-album on a better note, both musically and poetically. Like the promise of a better day.
Latest 360 Content
Concert review Rock
Vans Warped Tour Montreal: Big Ass Truck I. E. Whips Ghost Stage into A Frenzy
By Jake Friesen
Concert review Pop/Rock
Vans Warped Tour Montreal: 3OH!3 is Still Raunchy and Full of Bangers
By Jake Friesen
Concert review Rock
Vans Warped Tour Montreal: Joyce Manor — Wide Awake at the End of the Summer
By Lyle Hendriks
Concert review Rock
Vans Warped Tour Montreal: Concrete Vehicles is Pure Stage Violence
By Stephan Boissonneault
Concert review Rock
Vans Warped Tour Montreal: Bearings Brought Pop Punk Bliss to Ghost Stage
By Stephan Boissonneault
Album review classique 2026
Isabella d’Éloize Perron, Francis Choinière et l’Orchestre FILMharmonique – François Dompierre : Les quatre saisons du Québec
By Frédéric Cardin
Concert review Rock/Pop
Vans Warped Tour Montreal: Bowling For Soup is the Greatest Band of All Time
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Album review Jazz 2026
Domas Žeromskas – Meditations on Providence and Perseverance, Vol. 2
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock
MUTEK 2026 | Finding the Flow With Fennesz
By Alain Brunet
Interview Classical/classique/Romantic
Domaine Forget 2026 | Mathieu Lussier and the discovery of French music
By Pietro Freiburger
Album review Classical/classique 2026
WDR Sinfonieorchester Köln, Joseph Bastian – Mel Bonis : Orchestral Works
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2026























