The depressing atmosphere of The Ghost of Orion reflects the turmoil My Dying Bride went through after the release of Feel the Misery in 2015. In order to devote all of his time to his little girl with cancer, singer Aaron Stainthorpe had put the band’s activities on hold. Then in 2018, guitarist Calvin Robertshaw and drummer Shaun Taylor-Steels left the ship (they were replaced by Neil Blanchett and Jeff Singer). Which brings us to The Ghost of Orion, composed by the guitarist and co-founder of My Dying Bride, Andrew Craighan. As such, the 13th album doesn’t deviate from the expected: melodies that evolve at the speed of a turtle, interspersed with death-metal power surges. Strainthorpe delivers his lyrics using his voice from beyond the grave, as required by the songs, which also include arrangements for violin, cello and keyboards, as well as the ethereal voice of Lindy-Fay Hella (Wardruna) on “The Solace”. Despite all this, The Ghost of Orion is dull, as if suffocated by the misery that emanates from it. Since we’re talking about doom music, this could be a quality, but given that the tracks don’t command attention, no matter how many listens are afforded, this isn’t enough to save the record.
Latest 360 Content
Interview latino/Cumbia
Mundial Montréal | Empanadas Ilegales: Cumbia Is Everywhere, also in Vancouver !
By Alain Brunet
Interview Musiques du Monde
Mundial Montréal | Eli Levinson Presents The ENTIRE Program!
By Alain Brunet
Album review Jazz/indie 2024
Peggy Lee & Cole Schmidt – Forever Stories of: Moving Parties
By Frédéric Cardin
Album review Classical/classique 2024
Steven Osborne/London Philharmonic Orchestra, dir.: Edward Gardner – Tippett : Concerto pour piano; Symphonie no 2
By Frédéric Cardin
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain/Modern music
The inner cinema of composer and sound artist Roxanne Turcotte
By Frédéric Cardin
Interview classique
Guillaume Villeneuve and Quatuor Cobalt’s Reflets du temps
By Alexandre Villemaire
Interview Jazz/Hip Hop
Coup de cœur francophone | OGB: A Triptych of EPs and A Pair of Jazz Bangereux For a Strong Comeback
By Alain Brunet
Interview Classical/classique
Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini
By Alexandre Villemaire
Interview Africa/Hip Hop/Electronic/konpa/Soul/R&B
Coup de cœur francophone | Sarahmée Ascends The Throne
By Martial Jean-Baptiste
Concert review classique/Classical
OSM | Alpine Symphony: When Woods Become Sherpas
By Alexis Desrosiers-Michaud
Interview classique/Classical