The depressing atmosphere of The Ghost of Orion reflects the turmoil My Dying Bride went through after the release of Feel the Misery in 2015. In order to devote all of his time to his little girl with cancer, singer Aaron Stainthorpe had put the band’s activities on hold. Then in 2018, guitarist Calvin Robertshaw and drummer Shaun Taylor-Steels left the ship (they were replaced by Neil Blanchett and Jeff Singer). Which brings us to The Ghost of Orion, composed by the guitarist and co-founder of My Dying Bride, Andrew Craighan. As such, the 13th album doesn’t deviate from the expected: melodies that evolve at the speed of a turtle, interspersed with death-metal power surges. Strainthorpe delivers his lyrics using his voice from beyond the grave, as required by the songs, which also include arrangements for violin, cello and keyboards, as well as the ethereal voice of Lindy-Fay Hella (Wardruna) on “The Solace”. Despite all this, The Ghost of Orion is dull, as if suffocated by the misery that emanates from it. Since we’re talking about doom music, this could be a quality, but given that the tracks don’t command attention, no matter how many listens are afforded, this isn’t enough to save the record.
Latest 360 Content
Album review Classical/classique 2024
Orchestre du Centre national des Arts/Orchestre symphonique de Québec/Choeur Mendelssohn/Jean-Sébastien Vallée, dir. – Jacques Hétu : Symphonie no 5 op.81
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Alexandre David – Photogrammes
By Frédéric Cardin
Album review Classical/classique 2024
Matthieu Lussier/Amanda Keesmaat/Christophe Gauthier – Un basson sous l’Empire : la musique d’Étienne Ozi
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Musique de création
Le Vivier / Cordâme & Sixtrum Under Sylvia Plath’s Influence
By Alain Brunet
Concert review Electronic
Igloofest 2nd Night: Wild Card with Apashe, Marie Davidson, Dileta
By Loic Minty
Interview expérimental / contemporain/Musique de création
Montréal / Nouvelles Musiques : ¡Némangerie mâchée! Voice / Video Conversation
By Alain Brunet
Concert review
First Night of Igloofest 2025: Tali Rose and Michael Bibi’s Party
By Félicité Couëlle-Brunet
Concert review classique/Classical/orchestre/période moderne
OSM | Mahler, Payare and The OSM: Between Inner Turmoil, Light and Fatality, a Powerful Evening.
By Hélène Archambault
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! The Maestra Explains
By Alain Brunet
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! Michel Langevin Explains
By Alain Brunet
Interview Musiques du Monde
Intimate concerts to delve into music and emotions at the Centre des musiciens du monde
By Frédéric Cardin
Interview Africa/Hip Hop/latino
KingAlexBeats, From Laval to Miami, From Local Culture to Shakira and Pitbull
By Alain Brunet
Album review Classical/classique/expérimental / contemporain/Métal/Modern music 2024
Ensemble Tikoro – Hell Chamber
By Laurent Bellemare
Album review Rock/death metal progressif/Metal 2024