Saxophonist Tim Berne participated in the recording of the Very Practical Trio led by double bassist Michael Formanek, with Mary Halvorson, in 2019. It was his first time at Intakt Records, and he seems to have liked what he found there. Indeed, after four releases on ECM, the fifth opus of the band is on Intakt, and this is not the only change. Guitarist Ryan Ferreira, who had joined the original quartet for its third and fourth albums, is replaced here by Frenchman Marc Ducret, a frequent collaborator, who co-wrote “Static” for Snakeoil’s second album for ECM in 2013. Berne is also reunited with his friend David Torn, who is in charge of mixing the ensemble. Perhaps in part thanks to Ducret’s guitar, the sound of the ensemble is crunchy and certainly rougher than what can generally be found at ECM. The piece “Lost in Redding”, published on You’ve Been Watching Me in 2015, might give a good idea of the cross-hatched jazz style found here. With Matt Mitchell (piano, synths), Oscar Noriega (clarinets) and Ches Smith (drums, percussion).
Latest 360 Content
Interview Classical/classique
Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation
By Alain Brunet
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Interview Africa/Caribbean
Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms
By Sandra Gasana
Concert review musique de film
The magic of Miyazaki comes to life with the FILMharmonic Orchestra
By Frédéric Cardin
Interview Classical/classique
Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era
By Alain Brunet
Column
Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens
By Frédéric Cardin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Album review Electronic/Pop/Classical/classique/Jazz 2026
The Setting – The Setting
By Stephan Boissonneault
Concert review Pop/musique de film/pop symphonique
Symphonic Tribute to Daft Punk: Effective Fusion, Mostly
By Frédéric Cardin
Interview Blues/Americana/classic rock/Rock/southern rock/southern soul
The Sheepdogs, or How to Become a Classic “Outside the Storm”
By Alain Brunet
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
By Frédéric Cardin
Concert review Classical/classique
Arion Baroque Orchestra: Il pianto di Maria: Tears of Joy
By Alexandre Villemaire
Concert review Experimental/jeunesse
Semaine du Neuf | Sound understanding for children under 3 years… and us
By Vitta Morales
Concert review expérimental / contemporain/Indigenous peoples























