Country : United States Label : Asthmatic Kitty Genres and styles : Avant Folk / Electro-Pop / Krautrock / Synth-Pop Year : 2020

The Ascension

· by Alain Brunet

At the age of 45, Sufjan Stevens launches The Ascension in the eye of the covido-political-cultural storm raging across the North American continent. His eighth studio album was eagerly awaited after this long solo hiatus interspersed with two collaborative projects, needless to say. In 2015, he took a very touching look at his mother Carrie’s untimely death from cancer. Carrie & Lowell‘s songs expressed the primal cry of an injured child recalling his mother’s psychological problems and the consequences for his fractured and dysfunctional family. The concert that followed was simply extraordinary, a perfect balance of direct emotion and Stevens’ compositional depth. Next came Planetarium, a beautiful effort of compositional substance created with Nico Muhly, Bryce Dessner, and James McAlister, followed by the new-age Aporia conceived with his stepfather Lowell Brams, a much less conclusive opus. 

This time, the 15 songs on the programme are inspired by the German krautrock of the 1970s, a subgenre that advantageously combines the electronic advances of the time, the achievements of rock culture and the reforms of progressive rock. Today, krautrock remains a primary colour in many electronic, instrumental, and hybrid styles. The Ascension is full of direct and indirect evocations: Kratftwerk (above all), Can, Ash Ra Tempel and others appear here and there in these 15 songs packed with modular synthesizers.

Stevens has been a dominant indie artist, especially given his post-minimalist arrangement insertions involving chamber music perfectly interwoven with folk-pop songwriting constructions, to which he also grafted electronic sounds. However, keyboards and music production software now dominate Sufjan’s instrumentation and production, with chamber pop instruments giving way to analogue keyboards. 

Of course, Stevens’ melodic hooks and harmonic choices are immediately recognizable, but this direct evocation of the synthetic pop-rock of yesteryear that many artists who shined in the 2000s are now borrowing, may also leave one dubious. As the listener goes along, however, new tools and production processes enrich their experience, but perhaps not enough to take us elsewhere, as its creator has done many times over the last two decades. 

We could then fall back on the lyricist’s dark and clear-sighted texts. Through his sense of the human condition in North America and its mystical-moral underpinnings, through his doubts, his inclination to self-criticism, and his perplexity about his own status as a leading artist, Stevens shows great honesty. But… this is not Sufjan’s visionary strength, although one can be in tune with his perceptions and progressive stance.

Latest 360 Content

The Centre des Musiciens du Monde’s music Tree that brings people together

The Centre des Musiciens du Monde’s music Tree that brings people together

Festival des Saveurs | Carminda Mac Lorin, The Woman of Many Hats

Festival des Saveurs | Carminda Mac Lorin, The Woman of Many Hats

SAT X EAF | Amselysen and The Ideal Perfume of A Serial Killer

SAT X EAF | Amselysen and The Ideal Perfume of A Serial Killer

Festival Classica 2025 | Women’s Cellos

Festival Classica 2025 | Women’s Cellos

Nuits d’Afrique 2025: ALL About The Program

Nuits d’Afrique 2025: ALL About The Program

Festival Classica: An Ode to Hope with Elvira Misbakhova

Festival Classica: An Ode to Hope with Elvira Misbakhova

Festival des Saveurs | Aldo Guizmo Goes “Str8 Forward”

Festival des Saveurs | Aldo Guizmo Goes “Str8 Forward”

Deafhaven – Lonely People with Power

Deafhaven – Lonely People with Power

Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story

Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story

Sparks – MAD!

Sparks – MAD!

“Hiroshima, mon amour”: An Evening to Remember

“Hiroshima, mon amour”: An Evening to Remember

Peter Murphy – Silver Shade

Peter Murphy – Silver Shade

Ken Pomeroy – Cruel World

Ken Pomeroy – Cruel World

Art of the Line: Klangkarussell’s Euro Vision at SAT

Art of the Line: Klangkarussell’s Euro Vision at SAT

Festival des Saveurs | Closing With Reggae

Festival des Saveurs | Closing With Reggae

Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial

Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial

Lido Pimienta – La Belleza

Lido Pimienta – La Belleza

Tamir Barzilay – Phosphene Journal

Tamir Barzilay – Phosphene Journal

The best ‘’Candlelight concert‘’ ever.

The best ‘’Candlelight concert‘’ ever.

Men I Trust – Equus Caballus

Men I Trust – Equus Caballus

The Halluci Nation – Path of the Baby Face

The Halluci Nation – Path of the Baby Face

A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season

A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season

The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time

The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time

Subscribe to our newsletter