The indomitable Jello Biafra absolutely wanted this album to see the light of day before the American presidential elections of November 34, 2020, pandemic or not. In this mishmash that constitutes the sound universe of the former Dead Kennedys singer, we can of course hear hints of the punk band, but also of his collaborations with Al Jourgensen from Ministry, or Melvins. It’s frenetic, with just enough diversions to make the whole thing more digestible; punk-rock fans will be glutted and happy. But the focal point remains Biafra’s lucid, caustic, and cynical remarks. His pen is as sharp as ever and his voice, recognizable among a thousand, as lively as ever. He talks about Trump, of course, and Putin as well, but also about the place occupied by social media, the evolution of American society and the “winner” mentality at the basis of American mythology. So we’re on familiar ground again, but the album is just fresh enough to make the effort relevant and current, without straying too far from what has become the sound of Jello Biafra, as solid and effective as ever. The sexagenarian’s retirement isn’t scheduled for anytime soon.
Latest 360 Content
Interview chanson keb franco/Pop
Stéphanie Boulay: Healing Album, Reconstruction Album
By Marilyn Bouchard
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière
By Stephan Boissonneault
Interview chanson keb franco/Americana/Folk/Singer-Songwriter
Laurence Hélie Has Found Her Name
By Simon Gervais
Interview classique/Classical
Quatuor Molinari and Berio, in the words of Olga Ranzenhofer
By Alain Brunet
Album review expérimental / contemporain/Electronic/Hip Hop/hip-hop alternatif 2025
clipping. – Dead Channel Sky
By Stephan Boissonneault
Concert review Classical/classique/trad québécois
Sacré Gilles Vigneault | Between Natashquan and Buenos Aires
By Judith Hamel
Concert review Classical/classique
Les Violons du Roy and Antoine Tamestit | A Gripping and Profound Performance
By Alexandre Villemaire
Concert review Classical/classique/Sacred Music
Ensemble Caprice | A Beautiful Evening of Passion
By Alexis Desrosiers-Michaud
Interview Pop/dream pop
Arianne Moffatt, Airs de Jeux, Idea to Play, Desire to Play, Need to Play…
By Félicité Couëlle-Brunet
Interview Classical/classique
Arion Orchestre Baroque and The World of Thomas Dunford… From The 16th to The 20th Century!
By Alain Brunet
Concert review Classical/classique