The indomitable Jello Biafra absolutely wanted this album to see the light of day before the American presidential elections of November 34, 2020, pandemic or not. In this mishmash that constitutes the sound universe of the former Dead Kennedys singer, we can of course hear hints of the punk band, but also of his collaborations with Al Jourgensen from Ministry, or Melvins. It’s frenetic, with just enough diversions to make the whole thing more digestible; punk-rock fans will be glutted and happy. But the focal point remains Biafra’s lucid, caustic, and cynical remarks. His pen is as sharp as ever and his voice, recognizable among a thousand, as lively as ever. He talks about Trump, of course, and Putin as well, but also about the place occupied by social media, the evolution of American society and the “winner” mentality at the basis of American mythology. So we’re on familiar ground again, but the album is just fresh enough to make the effort relevant and current, without straying too far from what has become the sound of Jello Biafra, as solid and effective as ever. The sexagenarian’s retirement isn’t scheduled for anytime soon.
Latest 360 Content
Concert review Classical/classique
Semaine du Neuf | Paramirabo/Musikfabrik: old school avant-garde meets cool post-modernism
By Frédéric Cardin
Interview expérimental / contemporain/Musique de création
Semaine du Neuf | Quatuor Bozzini: “Effusion of Friendship” With Oesterle, Smith and Arnold
By Alain Brunet
Interview Classical/classique
Melodînes | Cyrille Angers and Bruce Gaulin, a Trio of Questions for a Flute-Piano Duo!
By Alain Brunet
Interview expérimental / contemporain/musique acousmatique
Semaine du Neuf | “Listen with your eyes closed”: Acousmatic Music by Annette Vande Gorne
By Alexandre Villemaire
Interview Électro/Classical/classique/techno-opéra
Semaine du Neuf | When Opera Questions Technology
By Judith Hamel
Interview Classical/classique/expérimental / contemporain
Semaine du Neuf | Chants Libres : Laboratoire Lyrik 03, “La voix lumineuse”
By Alain Brunet
Concert review Classical/classique
Violons du Roy and La Chapelle de Québec | An Evening of Discovery in The Footsteps of Bach’s Early Cantatas
By Mona Boulay
Interview Electronic
Regularfantasy, Activism and Creativity in the Women’s Electronic MTL Scene
By Léa Dieghi
Interview Electronic
International Women’s Rights Day in the Electronic Music World, a Montreal Case
By Léa Dieghi
Interview expérimental / contemporain/Indigenous peoples/Musique de création
Semaine du Neuf | Nanatasis: Three Abenaki Legends, Puppets, and an Opera
By Alexandre Villemaire
Interview expérimental / contemporain/Musique de création
Semaine du Neuf | Quasar: A Lithuanian/Ukrainian Program and… Everything That Scares Me
By Alain Brunet
Interview expérimental / contemporain/Musique de création
Semaine du Neuf: ALL about the program
By Alain Brunet
Concert review expérimental / contemporain/musique acousmatique
Closing night of M/NM: an acousmatic haven in the frantic Nuit Blanche
By Judith Hamel
Concert review expérimental / contemporain
M/NM | La Grande Accélération, Ambitious and Maximalist
By Vitta Morales
Concert review Classical/classique/Musique de création/période moderne