Country : United States Label : Empire / Nappy Boy Genres and styles : Hip Hop / Neo-Soul / Nu Soul / R&B Year : 2023

T-Pain – On Top of the Covers

· by CCJ Gabriel

On Top of the Covers is T-Pain’s seventh studio album, his first in four years, and is composed of cover songs from various musical genres. T-Pain blew these covers away for the most part and needs to be acknowledged for his contributions to R&B as a whole. Before I highlight some of the highs and lows of the project, it should be noted: auto-tune isn’t all over every song. T-Pain can really sing and this joint demonstrates his pure skills as a vocalist. 

Teddy crushes his cover of “A Change Is Gonna Come” by Sam Cooke, and he pours every ounce of himself into his rendition of “Tennessee Whiskey,” pun intended. The “Don’t Stop Believin’” cover comes across very karaoke-ish, which isn’t necessarily a knock, it’s just one of those songs everyone tries to or thinks they can sing. One of my personal all-time favorite songs ever made is Frank Sinatra’s version of “That’s Life,” which is a cover itself. T-Pain’s rendition on this album wasn’t my favorite among all the iterations that exist out there, but it was enjoyable no less. “That’s Life” is also the only song on this project including a feature in NandoSTL. 

On Top of the Covers features a purely instrumental track that sort of acts like an interlude in the middle of the project called “Skrangs (in K Major Sus)”. I’m unsure who composed and produced this track, but it’s quite pleasant and rolls directly into the next song “Stay With Me,” which T-Pain sings better than Sam Smith, in my humble opinion.

The best song on the project, bar none, was saved for last. T-Pain does a cover of Black Sabbath’s “War Pigs,” and my goodness he delivers everything on this track, and more. Even Black Sabbath’s original bassist Geezer Butler gave this version his approval.

Latest 360 Content

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Slayyyter Brings Out The Wor$t Girls in Montreal

Slayyyter Brings Out The Wor$t Girls in Montreal

Ian Noe – Canyon Falls Trailer Band

Ian Noe – Canyon Falls Trailer Band

Uncle Acid & The Deadbeats – Shapes of Midnight

Uncle Acid & The Deadbeats – Shapes of Midnight

Death Valley Girls – Welcome to Earth

Death Valley Girls – Welcome to Earth

Death Lives!

Death Lives!

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Samuel Bonnet Trio feat. Joe Magnarelli – Slow

Samuel Bonnet Trio feat. Joe Magnarelli – Slow

Super scintillant – Tarot

Super scintillant – Tarot

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers